Loving She Loves Me, Part II
by Ross
There is a whole lotta love to be found at Studio 54 these days, in the absolutely charming revival of She Loves Me (book by Joe Masteroff, Music by Jerry Bock, lyrics by Sheldon Harnick). The curtain opens to a little jewel box of a set (delightfully designed by David Rockwell) that took me back to the late 1980’s in my hometown of London, Canada, at the beautiful Grand regional theatre. She Loves Me was the first professional theatrical show I had seen on my own accord, buying my own student subscription, and this was the first production of the season (oddly enough, this show is also Roundabout’s first foray into musical theatre back in 1993, Scott Ellis directed Boyd Gaines and Judy Kuhn). I remember being wide eyed with enchantment when the lovely Christmas-like present of a set is first revealed in all it’s glory, just as it was the other night. It was like falling in love all over again, with theatre, and with this sweet lovely show.
I don’t recall who was in that Grand Theatre production way back when, but I think I will always remember this glorious production and cast courtesy of the Roundabout Theatre Company. In actuality, this musical, dating back to April 23, 1963 when it first appeared at the Eugene O’Neill Theatre (Harold Prince directed Daniel Massey and Barbara Cook), is not the most sophisticated, by any means. But in and around this charming 1934 Budapest Parfumerie, where this story is set, is an assortment of the best and the most talented group of sales clerks there is, trying to prepare themselves for a busy Christmas season. Laura Benanti just shines with a feisty fun and completely lovable portrayal of Amalia, the new sales clerk who just can’t seem to get along with the handsome and charming Georg (a thoroughly wonderful Zachary Levi). Levi returns to the stage majestically fully in command of himself and this part.
These two obvious love birds are a match born in rivalry heaven, and to no one’s real surprise, unbeknownst to each other, these two are writing each other love letters through a lonely hearts club. It’s straight out of Nora Ephron’s 1998 film, You Got Mail (or should I say that in reverse- being that Ephron based her movie on this musical and the original Miklos Laszlo’s 1937 play Parfumerie) and it’s done here as perfect as anyone could muster. Benanti was born to play this role, (no wonder she says she waited for this role) and ever since I saw her in Women on the Verge do that crazy perfect song ‘Model Behavior’ (https://youtu.be/s6Ve_s-Bzfs) and when she killed it and won a Tony Award for playing Louise in Gypsy opposite Patti LuPone and Boyd Gaines, I was waiting until the right lead role made its way to her, and here it is boys, here comes Laura. Simply put. Perfection.
And then, standing right there with Benanti, is the absolute stunner of a Broadway star, Jane Krakowski, who sadly hasn’t appeared on a Broadway stage since her spectacular Tony winning role and her show stopping entrance and exit performing ‘Call From the Vatican’ in 2003’s Roundabout revival of Nine (https://youtu.be/7GVdUdVU6m8). She is just so perfect in this wonderful part, shop clerk Ilona, that it seems to have been crafted just for her. Everything about the part is tailor made to display Krakowski’s long legs, her sexy….well, everything, her brilliant comic timing, and her amazing voice, especially in the delicious number, ‘A Trip to the Library’.
Surrounding these two perfect Broadway ladies, directed once again by Scott Ellis, is an impeccable supporting cast of pros. There isn’t a sour note in the lot. I particularly loved Nicholas Barasch as Arpad, who’s wide eyed innocence and love of the shop, reflected back my own wide eyed self and my love of this show. It’s a beautifully crafted and written show, a bit old fashioned, but with some surprisingly modern twists and turns. The show reminds us what it is like to fall in love, but beyond that, it reminds me of the beginning of my love affair with theatre in general. So thank you, She Loves Me, and I love you right back.
You’ve Got Mail isn’t based on She Loves Me, it’s based on the same source material as She Loves Me: Miklos Laszlo’s 1937 play “Parfumerie.” Also Krakowski has done stage work since Nine, notably Encores’ revival of Damn Yankees: http://www.playbill.com/article/photo-call-encores-damn-yankees-with-hayes-krakowski-and-jackson-com-125616
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Yes. I saw Damn Yankees but sadly, that never came to Broadway.
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[…] check it out and also check out my previous blog review: #SheLovesMe #Roundabout #Studio54 https://frontmezzjunkies.com/2016/03/17/loving-she-loves-me-part-ii/ read, like, share, retweet, enjoy tw: frontmezzjunkie FB: […]
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[…] Loving She Loves Me, Part II Outstanding Featured Actress in a Musical Danielle Brooks, The Color Purple Alison Fraser, First Daughter Suite Rachel Bay Jones, Dear Evan Hansen, Second Stage Jane Krakowski, She Loves Me Mary Testa, First Daughter Suite […]
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[…] Loving She Loves Me, Part II […]
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[…] Loving She Loves Me, Part II […]
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[…] I’m really hoping that Krakowski will walk away with this award for She Loves Me. It’s a full-on spectacular role that lets her showcase all of her charms and talent. Funny, sexy, long legged, wonderfully voiced with a split that will knock you over. https://frontmezzjunkies.com/2016/03/17/loving-she-loves-me-part-ii/ […]
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Reblogged this on front mezz junkies and commented:
#TonyAwards2016 day2/18
As the @TonyAwards approach, I thought #Frontmezzjunkies should repost all the reviews of all the main best plays/musicals/revivals in all four categories and list their nominations. So here it goes.
Day 2 of 18
@SheLovesMe @Roundabout
Up for 8 #TonyAwards
Including:
Best Revival of a Musical
Best Leading Actress – #LauraBenanti
Best Leading Actor – #ZacharyLevi
Best Featured Actress – #JaneKrakowski
Best Scenic Design – #DavidRockwell
Dest Costume Design – #JeffMahshie
Best Director of a Musical – #ScottEllis
Best Orchestrations – #LarryHochman
Also nominated for:
9 @Drama Desk Awards (pending)
3 @Drama League Awards
8 @Outer Critics Circle Awards (won 4 – including Best Revival of a Musical)
Here’s what I had to say about it back in the fall.
tw: frontmezzjunkie
FB: @Frontmezzjunkies
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[…] Source: Loving She Loves Me, Part II […]
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[…] Loving She Loves Me, Part II […]
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[…] https://frontmezzjunkies.com/2016/03/17/loving-she-loves-me-part-ii/ […]
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[…] https://frontmezzjunkies.com/2016/03/17/loving-she-loves-me-part-ii/ […]
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[…] his broad shoulders. And Barasch is just the young man for it. Just as he was in the gorgeous She Loves Me last year at the Roundabout Studio 54 Theatre, his charm and smile easily convinces us to jump on […]
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[…] father, (Manoel Felciano) and distant mother, portrayed with a kooky charm by Alison Cimmet (She Loves Me) who (awkwardly) dies when Amélie is still quite young, killed by a falling suicidal man. She […]
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[…] by Jerry Zakes (A Bronx Tale: The Musical) with spectacular choreography by Warren Carlyle (She Loves Me) isn’t trying for that kind of show. What they are giving us on the Shubert Theatre stage […]
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[…] designer, Kenneth Posner (If/Then, The Coast of Utopia), and wig designer, David Brian Brown (She Loves Me), they elevate this musical to majestic levels, matching the two heavyweight actresses that are in […]
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[…] Thursday morning I found my way over to Feinstein/54 Below to hear Tony winner Laura Benanti (She Loves Me) and Hamilton star Javier Muñoz read out the nominations for the 2017 Drama Desk Awards. The […]
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[…] Cho (A Gentleman’s Guide…, The Velocity of Autumn); lighting: Donald Holder (Oslo, She Loves Me); sound: Peter Hylenski (Something Rotten, After Midnight) all do effective work giving the […]
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[…] power, coupled with a deconstructed chaos, the set design by David Rockwell (Roundabout’s She Loves Me), a modern dress costume design by Paul Tazewell (Public’s Privacy), concise lighting design […]
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[…] of pure theatrical magic, supported by the talented costume designer, Jeff Mahshie (RTC’s She Loves Me); lighting designer, Kenneth Posner (2ST’s Mr. and Mrs. Fitch, Broadway’s Tuck […]
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[…] here Seth deconstructs Gavin Creel (She Loves Me) performance in Hello, Dolly! That earned him a Tony (click here for my […]
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[…] Beowulf Boritt (Come From Away), lighting by Howell Binkly (Hamilton), sound design by Jon Weston (She Loves Me), and costumes by famed designer, William Ivey Long (On The Twentieth Century), as a […]
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[…] says: It’s really just about Steve Martin’s writing, and Laura Benanti (She Loves Me, Gypsy) doing anything that will bring me to the Booth Theatre. I’m curious about Schumer, […]
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[…] and sturdy wife of Ralph Kramden, played magnificently and with a big mouth by Michael McGrath (She Loves Me), who enters like he is stepping right out of your B&W television. Both are perfect choices […]
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[…] as Pepa in the musical adaptation of Women on the Verge of a Nervous Breakdown (which costarred Laura Benanti and my all time favorite, Patti LuPone), and although the production lacked, the ladies on the […]
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[…] hilarious when need be, and a musical theater genius. Just find a way to see her in Gypsy or She Loves Me (I believe it was screened on PBS before heading to BroadwayHD) and marvel at her greatest on all […]
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[…] the glass wearing B.B. gun-focused Ralphie Parker. Sounds good, but it was really Jane Krakowski (She Loves Me) as Miss Shields that tipped this production happily over the edge. So I made a deal with my […]
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[…] Encores! series, director Mayer, on a set designed by David Rockwell (Roundabout’s She Loves Me), with costumes by Clint Ramos (Broadway’s Once On This Island), lighting by Kevin Adams […]
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[…] Jerry Springer-The Opera), with basic but telling costumes by Jeff Mahshie (Broadway’s She Loves Me), and solid lighting by Jeff Croiter (TNG’s The Whirligig), the rest of the cast of […]
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[…] dissected by Ferrentino and beautifully orchestrated by director Scott Ellis (Broadway’s She Loves Me). Neither of the two visiting, now adult siblings know how to talk or engage with one another, […]
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[…] Desk Awards were announced today at Feinstein’s / 54 Below by the magnificent Jane Krakowski (She Loves Me, ‘Unbreakable Kimmy Schmidt’) and the wonderful Tituss Burgess (Guys and Dolls, […]
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[…] Malvolio, played to the hilt by the fantastically delightful Andrew Kober (Roundabout’s She Loves Me) decide to play a nasty but funny trick on the arrogant servant, Malvolio, punishing him for his […]
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[…] (Zorba), glorious music by Jerry Bock and delicately delicious lyrics by Sheldon Harnick (She Loves Me) floated out so magnificently before me back then, climbing up those dramatic stairs in the rear of […]
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[…] as directed here at Studio 54 Theatre with buckets of bravado by Scott Ellis (Broadway/RTC’s She Loves Me) and choreographed with style and finesse by Warren Carlyle (Broadway’s After Midnight). This […]
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[…] as directed here at Studio 54 Theatre with buckets of bravado by Scott Ellis (Broadway/RTC’s She Loves Me) and choreographed with style and finesse by Warren Carlyle (Broadway’s After Midnight). This on […]
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[…] singing and encompassing the material with a determined glee. Benjamin Eakeley (Broadway’s She Loves Me) as the Reverend Salvation shines through with his heavenly singing and stage presence, as does […]
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[…] make you laugh out loud with a wise glee. The scenic design by David Rockwell (Broadway’s She Loves Me), with lighting by Donald Holder (Broadway’s My Fair Lady) and sound design by Brian Ronan […]
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[…] (Kennedy Center’s Little Shop of Horrors), and sound designer Jon Weston (Broadway’s She Loves Me), finds its sure footedness and fun along the way, keeping the festive piece of nostalgia moving […]
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[…] (Kennedy Center’s Little Shop of Horrors), and sound designer Jon Weston (Broadway’s She Loves Me), finds its sure footedness and fun along the way, keeping the festive piece of nostalgia moving […]
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[…] Yew (Daryl Roth’s Gloria: A Life), and a solid sound design by Jon Weston (Broadway’s She Loves Me), the Roundabout has fully embraced the locational structure of the kingdon, thinking they are […]
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[…] and pulls us in without question. Costumed with sexy slickness by Jeff Mahshie (Broadway’s She Loves Me), Jones (Public’s First Daughter Suite) spirals up and around the missed mountain with force […]
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[…] Ed McCarthy (Public’s Southern Comfort) and sound designer Jon Weston (Broadway’s She Loves Me) could have been on fire, but we are quickly saved soon after with Mamie Parris and Alex Finke […]
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[…] slicing into the multi-layed cake in order to serve us up every delicious slice and crumb of Joe Masteroff’s devious book and John Kander and Fred Ebb’s magnificent score. The final product delivers […]
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