January 15, 2026January 15, 2026 ross

Meeting The Fantasticks for the First Time—Through a Queer Lens

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

January 12, 2026January 11, 2026 ross

When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop

January 11, 2026January 10, 2026 ross

From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May

January 10, 2026 ross

My Favourite Week of the Summer is at The Stratford Festival

January 10, 2026January 9, 2026 ross

Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End

January 9, 2026January 9, 2026 ross

The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End

January 8, 2026January 8, 2026 ross

When Theatre Dares to Reconcile the Irreconcilable: TIFT’s “All The Cows Are Dead”

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts