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September 28, 2026September 28, 2026 ross

“To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence

September 27, 2026 ross

“Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper

September 26, 2026September 26, 2026 ross

“Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre

September 25, 2026September 24, 2026 ross

TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time

September 24, 2026September 24, 2026 ross

Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford

September 23, 2026September 23, 2026 ross

TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet

September 22, 2026September 22, 2026 ross

Day Eleven at TIFF, and I’m Calling That a Wrap

September 21, 2026September 21, 2026 ross

Day Ten at TIFF, and the Magic Hasn’t Worn Off

September 20, 2026 ross

TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled

September 20, 2026September 20, 2026 ross

Day Nine at TIFF, Giving My Agenda to the Gods

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Recent Posts

  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026
  • “Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre September 26, 2026
  • TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time September 25, 2026
  • Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford September 24, 2026
  • TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet September 23, 2026
  • Day Eleven at TIFF, and I’m Calling That a Wrap September 22, 2026
  • Day Ten at TIFF, and the Magic Hasn’t Worn Off September 21, 2026
  • TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled September 20, 2026
  • Day Nine at TIFF, Giving My Agenda to the Gods September 20, 2026
  • “Measure for Measure” Is Back on Air, and I’m Pressing Play on My Old Review September 20, 2026
  • Day Eight at TIFF, When the Day Makes the Choices September 19, 2026
  • Day Seven at TIFF, Trusting Where the Day Takes Me September 19, 2026
  • Day Six at TIFF, When Five Films Become a Test of Endurance September 18, 2026
  • “Becoming Hamlet” Gets Lost Inside Its Own Experiment September 18, 2026
  • “Walden” Finds Two Sisters Searching for Something Worth Saving September 17, 2026
  • “A Fine Balance” and “Being Heumann” Put People Inside History September 16, 2026
  • Day Five at TIFF, and the Movies Pack a Punch September 15, 2026
  • Day Four at TIFF, and I Get My Mojo Back  September 14, 2026
  • Day Three at TIFF, and the Right Choice Is to Sleep In September 13, 2026
  • “Dirty Bird” Goes Beautifully Off the Rails September 12, 2026
  • Day Two at #TIFF, and Back in My Seat September 11, 2026
  • split/decision’s “Safe House” Turns a Family Bunker Into a Dangerous Shelter September 10, 2026
  • Day One at TIFF, and a Choice Must Be Made September 10, 2026
  • “Heated Rivalry: The Unauthorized Musical Parody” Knows Exactly Why We’re Here September 9, 2026
  • Antonio says, “Well done! I can see your career rise in the east like the sun.”*  September 8, 2026
  • “Ohio State Murders” Turns Trauma Into a Labyrinth at the Shaw Festival September 7, 2026
  • Janelle Cooper Looks Beyond the Evil Stepmother at the Shaw Festival September 6, 2026
  • “The Wind in the Willows” Lets Me Climb Back Into Childhood at the Shaw Festival September 5, 2026
  • Ana Gasteyer Is Taking September L. Davis on an Apology Tour, and I Am Absolutely Ready to Forgive But Not Forget September 4, 2026
  • “Amadeus” Has the Music, but Salieri Never Quite Finds the Fire September 3, 2026
  • TIFF Has a Whole Festival Happening Outside the Theatres September 2, 2026
  • Shaw’s “Heartbreak House” Leaves Me Standing at the Door Wanting My Heart Broken September 1, 2026
  • Broadway’s Plays Are Pulling on My Senses August 31, 2026
  • “Saturday, Sunday, Monday” Serves Up a Feast of Love, Jealousy and Avoidance August 30, 2026
  • TIFF Tickets Are Bought, So Let the Madness Begin August 29, 2026
  • “The King James Bible Play” Has Some Very Serious Things to Say About Some Very Complicated Words August 28, 2026
  • A Very Personal Return to Ontario’s Shaw Festival, With Some Theatrical Temptations I Can’t Resist August 27, 2026
  • Stratford’s “The Tao of the World” Is a Deliciously Wicked Feast of Wealth and Romance With Something Sharp on the Side August 26, 2026
  • “The Odyssey” Film Is a Spectacle That Stalls and Snoozes on Its Emotional Shore August 25, 2026
  • Antonio Says, “The Ennui of a Provincial Hamlet.” August 24, 2026
  • Broadway Musicals Keep Giving Me New Reasons to Return and Rejoice August 23, 2026
  • Planning TIFF Is a Film Festival of Its Own August 22, 2026
  • Antonio Says, “Resolve You For More Amazement.” August 21, 2026
  • Another Return to Rough Magic: Three More Reasons I Can’t Stay Away from Stratford August 20, 2026
  • When the Curtain Falls, Theatre Gets a Second Life August 19, 2026
  • In Between Curtains, Stratford Keeps the Conversation Going August 18, 2026
  • Antonio Says, “Behind Every Great Woman is a Society Waiting to Celebrate Her Downfall.” August 17, 2026
  • Jinkx Monsoon Is Returning to Oh, Mary! and London Audiences Are in for a Treat August 16, 2026
  • Antonio Says, “Embracing Herstory and Erasing History” August 15, 2026

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