front mezz junkies

a theatre review blog

Menu Skip to content
  • Home
  • About Ross
  • Our Blog
March 6, 2026March 6, 2026 ross

“Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”)

March 6, 2026March 6, 2026 ross

Death Starts Tonight on Broadway: : “Salesman” Begins Previews

March 5, 2026 ross

London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts

March 5, 2026March 5, 2026 ross

“The Neighbours” at Tarragon Theatre: A Study in Quiet, Complex Complicity

March 4, 2026March 4, 2026 ross

A Stratford UK Season Worth Dreaming About: Groff, Walter, and the RSC’s Bold New Lineup

March 3, 2026March 3, 2026 ross

Actors Lovingly Applauding Actors: The SAG Awards Wake Up Awards Season

March 2, 2026February 28, 2026 ross

A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway

March 1, 2026February 28, 2026 ross

Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess

February 28, 2026February 28, 2026 ross

The Art of The Elegant Unraveling – The Interview

February 27, 2026February 27, 2026 ross

Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now

Posts navigation

Older posts

search for titles on my site

Recent Posts

  • “Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”) March 6, 2026
  • Death Starts Tonight on Broadway: : “Salesman” Begins Previews March 6, 2026
  • London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts March 5, 2026
  • “The Neighbours” at Tarragon Theatre: A Study in Quiet, Complex Complicity March 5, 2026
  • A Stratford UK Season Worth Dreaming About: Groff, Walter, and the RSC’s Bold New Lineup March 4, 2026
  • Actors Lovingly Applauding Actors: The SAG Awards Wake Up Awards Season March 3, 2026
  • A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway March 2, 2026
  • Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess March 1, 2026
  • The Art of The Elegant Unraveling – The Interview February 28, 2026
  • Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now February 27, 2026
  • A Party I Wish I Could Attend: Mrs Krishnan’s Party Opens at London’s Grand Theatre February 26, 2026
  • Izzy Says: Powerhouse Performances Transcend Translation in “Piaf/Dietrich” February 25, 2026
  • Still Catching Up: The BAFTAs Shake Up the Oscar Race February 24, 2026
  • Twelve Hours Isn’t Quite Enough: Celebrating Tracy Letts for a Day at Circle in the Square February 23, 2026
  • Missing the Opening of “Little Willy” at Canadian Stage February 22, 2026
  • Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped February 21, 2026
  • Heathcliff Returns Again: Curiosity Grows Around the New “Wuthering Heights” February 20, 2026
  • Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances February 19, 2026
  • Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust February 18, 2026
  • Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling February 17, 2026
  • Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru” February 16, 2026
  • The High School Project’s “School of Rock” at The Grand is Rocking the Room & Learning the Craft February 15, 2026
  • When One Curtain Falls and Another Rises February 14, 2026
  • Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right February 13, 2026
  • Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto February 12, 2026
  • The Interview: A Life in the Work: Robyne Parrish Comes Home to Leadership as Arrowrock Lyceum Theatre’s new Artistic Director February 11, 2026
  • The Creatives Most Honoured at the 2026 Obie Awards February 10, 2026
  • The Seduction of Certainty in “Marty Supreme” Works Without Asking for Approval February 9, 2026
  • “Mexodus” Returns Off-Broadway, Looping History Back Into the Present February 8, 2026
  • The Interview: Gabriella Sundar Singh and the Solitude of Witness February 7, 2026
  • The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention” February 6, 2026
  • Last Call for a Legend: Finding Dorothy Parker Returns to the Beechman February 5, 2026
  • The Power of Remembering: The Interview February 4, 2026
  • Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work February 3, 2026
  • “Six” Stands Up Strong February 2, 2026
  • Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
  • BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown January 31, 2026
  • Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page January 30, 2026
  • The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude January 29, 2026
  • Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
  • The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection January 27, 2026
  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
  • The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
  • When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
  • Oscar 2026 Nominations Announced. Are You Ready? January 22, 2026
  • Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026
  • Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays” January 21, 2026
  • A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales” January 20, 2026
  • Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap” January 19, 2026

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 583 other subscribers
Follow front mezz junkies on WordPress.com

Blog Stats

  • 911,682 hits
March 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  
« Feb    

award worthy broadway Canadian theatre film fringe london musical new musical New Play off broadway Opening Night out of town theater play revival reviews revival ross says: streaming tony predictions toronto
Blog at WordPress.com.
front mezz junkies
Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • front mezz junkies
      • Join 249 other subscribers
    • Already have a WordPress.com account? Log in now.
    • front mezz junkies
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...