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May 21, 2023May 21, 2023 ross

The Rage of Narcissus Rages On at Theatre Passe Muraille, Toronto

May 20, 2023May 20, 2023 ross

The Sound Inside Captivates at Toronto’s Coal Mine Theatre

May 18, 2023May 18, 2023 ross

The Chinese Lady on Dynamic Display at Crow’s Theatre, Toronto

May 14, 2023May 14, 2023 ross

Broadway Flies Proud The Sign in Sidney Brustein’s Window as a Rally Cry To Us All

May 11, 2023May 11, 2023 ross

MTC Celebrates Theatrical Royalty in “Summer, 1976”

May 7, 2023May 7, 2023 ross

Doug Wright’s “Good Night, Oscar” Plays Well on the Broadway Stage

May 6, 2023May 6, 2023 ross

City Center Encores! Sings Strong! in an Awkward “Oliver!”

May 4, 2023May 4, 2023 ross

Broadway’s Very Funny “The Thanksgiving Play” Arrives Possibly Just Past Its Best-By Date

May 2, 2023May 14, 2023 ross

The 2023 Tony Award Nominations Announced

May 2, 2023May 8, 2023 ross

2023 Theatre World Award Winners Announced

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Recent Posts

  • The Rage of Narcissus Rages On at Theatre Passe Muraille, Toronto May 21, 2023
  • The Sound Inside Captivates at Toronto’s Coal Mine Theatre May 20, 2023
  • The Chinese Lady on Dynamic Display at Crow’s Theatre, Toronto May 18, 2023
  • Broadway Flies Proud The Sign in Sidney Brustein’s Window as a Rally Cry To Us All May 14, 2023
  • MTC Celebrates Theatrical Royalty in “Summer, 1976” May 11, 2023
  • Doug Wright’s “Good Night, Oscar” Plays Well on the Broadway Stage May 7, 2023
  • City Center Encores! Sings Strong! in an Awkward “Oliver!” May 6, 2023
  • Broadway’s Very Funny “The Thanksgiving Play” Arrives Possibly Just Past Its Best-By Date May 4, 2023
  • The 2023 Tony Award Nominations Announced May 2, 2023
  • 2023 Theatre World Award Winners Announced May 2, 2023
  • The 2023 Drama League Award Winners (and Nominations) Announced May 1, 2023
  • The Non-Magical Lands of LCT’s “Camelot” and Broadway’s “New York, New York” April 30, 2023
  • Broadway’s Singular Sensational “Prima Facie” April 29, 2023
  • 2023 Chita Rivera Award Winners (and Nominations) Announced April 28, 2023
  • “God of Carnage” Too Simply De-evolves into Chao Superficially April 27, 2023
  • 2023 Drama Desk Award Nominations Announced April 27, 2023
  • “Fat Ham” Glitters Gloriously on Broadway April 26, 2023
  • The 2023 Outer Critics Circle Award Winners are Announced April 26, 2023
  • Broadway Peter Pan Goes Wrong Flies in the Rightest of Ways April 24, 2023
  • Tarragon’s “Paint Me This House of Love” Illuminates the Pain That Can’t Be Hidden With One Coat April 23, 2023
  • A Dutiful and Desirable Summer at Stratford Festival 2023 April 19, 2023
  • Body So Fluorescent Glows Extra Strong and Bright at Buddies Toronto April 18, 2023
  • The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake April 16, 2023
  • The Captivating “Vierge” Vibrates with Spiritual Energy at Factory Theatre Toronto April 15, 2023
  • “How To Defend Yourself” Punches Strong at NYTW April 13, 2023
  • Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat. April 11, 2023
  • The Public’s “The Harder They Come” Dreams Big April 9, 2023
  • “The Hooves Belonged to the Deer” Shoots Wild and True at Toronto’s Tarragon Theatre April 8, 2023
  • Punctuate! Theatre’s “First Métis Man of Odesa” Touches Our Collective Heart Against a Backdrop of War and Disease April 7, 2023
  • Great “Shucked” bests Bad “Bad Cinderella” on Broadway April 4, 2023
  • Sweeney Todd Kills and Eats Up the Competition on Broadway April 2, 2023
  • Broadway’s “Life of Pi” Sails Strong and Magically Over From the West End March 30, 2023
  • Broadway’s Parade, a Masterpiece and Master Class, Not to be Missed. March 28, 2023
  • Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof March 26, 2023
  • The Unpacking of the First Métis Man of Odesa, An Interview March 25, 2023
  • Broadway’s Pictures From Home Remains Unfocused and Flat March 5, 2023
  • Tarragon Theatre Sparkles with the Intense and Captivating “Behind the Moon” March 4, 2023
  • MCC’s Wolf Play Rings Forth the Battle, Playfully and Emotionally March 3, 2023
  • Tarragon Theatre Unleashes a Powerful and Funny Redbone Coonhound March 1, 2023
  • Soulpepper Theatre’s English Speaks Volumes With Humor and Pain February 27, 2023
  • Titanique is Céline “Fu**ing” Dion Unsinkable February 25, 2023
  • Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal February 25, 2023
  • Leo Reich: Literally Who Cares?! Well, Maybe I do. Most Definitely. February 22, 2023
  • Audible’s Lucy Builds Tension, But to What End? February 21, 2023
  • The Memory of Trees, An Interview February 20, 2023
  • Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core February 18, 2023
  • 2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway February 2, 2023
  • Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With January 31, 2023
  • MTC’s The Collaboration Makes Disposable Sellable Art for Consumption January 27, 2023
  • NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully January 24, 2023

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