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February 3, 2026February 2, 2026 ross

Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work

February 2, 2026February 1, 2026 ross

“Six” Stands Up Strong

February 1, 2026February 2, 2026 ross

Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching

January 31, 2026January 31, 2026 ross

BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown

January 30, 2026January 31, 2026 ross

Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page

January 29, 2026January 27, 2026 ross

The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude

January 28, 2026January 27, 2026 ross

Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching

January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”