“Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell
Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation
“Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity
“Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman
Antonio says, “Give crowns and pounds and guineas- but not your heart away”
“Misty Green” Breaks Your Heart One Bad Decision at a Time
“Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again
Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal
