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January 31, 2023January 31, 2023 ross

Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With

January 27, 2023January 27, 2023 ross

MTC’s The Collaboration Makes Disposable Sellable Art for Consumption

January 24, 2023January 24, 2023 ross

NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully

January 11, 2023January 11, 2023 ross

“The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues

January 8, 2023January 8, 2023 ross

West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently

January 6, 2023January 6, 2023 ross

West End’s Great Play, Good

January 5, 2023January 5, 2023 ross

Tammy Faye – A New Musical Sparkles in its Unfocused Frame

January 1, 2023January 2, 2023 ross

The Best of 2022 On Stage – in NYC, London, and Toronto

December 31, 2022December 31, 2022 ross

Ruben Östlund’s “Triangle of Sadness” – I Command You: Enjoy the Moment

December 30, 2022December 30, 2022 ross

Toronto’s Joseph Wears its Amazing Technicolor Dreamcoat Energetically and Joyfully

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Recent Posts

  • Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With January 31, 2023
  • MTC’s The Collaboration Makes Disposable Sellable Art for Consumption January 27, 2023
  • NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully January 24, 2023
  • “The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues January 11, 2023
  • West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently January 8, 2023
  • West End’s Great Play, Good January 6, 2023
  • Tammy Faye – A New Musical Sparkles in its Unfocused Frame January 5, 2023
  • The Best of 2022 On Stage – in NYC, London, and Toronto January 1, 2023
  • Ruben Östlund’s “Triangle of Sadness” – I Command You: Enjoy the Moment December 31, 2022
  • Toronto’s Joseph Wears its Amazing Technicolor Dreamcoat Energetically and Joyfully December 30, 2022
  • Broadway’s “Ohio State Murders” Fails to Plunge the Knife in Deep December 27, 2022
  • Broadway’s “Some Like It Hot” Sizzles and Soars Most Progressively December 25, 2022
  • “Becky Nurse of Salem” Fires Up The Stakes, But Fizzles Out Soon After December 24, 2022
  • “& Juliet”, The New Broadway Musical Roars Strong December 23, 2022
  • Atlantic Theater Company’s Wisely Floats Forward “The Far Country” December 21, 2022
  • Vineyard Theatre’s “Sandra” Loses Its Way December 19, 2022
  • Toronto’s Icarus Theatre Securely Ushers in Kenneth Lonergan’s “Lobby Hero” December 18, 2022
  • Broadway’s “The Piano Lesson” Finds Meaning, Even When Not Every Note Hits True December 16, 2022
  • Playwrights Horizons Scores Big with Norris’s Complicated “Downstate” December 15, 2022
  • Broadway’s One-Mays “Christmas Carol”, is Sumptuously Staged, But Lacks an Engaging Middle December 11, 2022
  • “Kimberly Akimbo” Gets Her (and Our) Wish Most Wonderfully on Broadway December 10, 2022
  • Broadway’s “KPOP” Astonishes on the Surface, But Fails to Dig Deep. December 9, 2022
  • “2:22 – A Ghost Story” Creeps Up London’s West End Wonderfully December 5, 2022
  • Broadway’s Ain’t No Mo’ is Totally Enough December 4, 2022
  • The Lea Michele Revitalized Funny Girl is Finally Balanced and Buoyant December 2, 2022
  • The Doctor Spins Spectacularly Smart in London’s West End November 24, 2022
  • Tarragon Theatre Disturbs with Post Democracy November 18, 2022
  • A Man of No Importance Comes Out Beautiful and Strong November 17, 2022
  • Public Theater’s Dynamic A Raisin in the Sun Demolishes the Happy Ending November 15, 2022
  • The One Person Show Swims Strong With Walking Ghosts, Indigenous History, and an Old Man and the Pool, Exactly, Where We Belong November 13, 2022
  • Almost Famous Strikes an Off-Key Chord on Broadway November 12, 2022
  • Roundabout’s You Will Get Sick Weirdly and Wonderfully Just Wants to Click Their Collective Heels and Go Home November 8, 2022
  • Topdog/Underdog Moves and Grooves Intensely On Broadway Once Again November 6, 2022
  • We All Have Knives, An Interview November 2, 2022
  • Arthur Miller’s Death of a Salesman Revival on Broadway Overflows with Respect and Relevance October 30, 2022
  • Factory Theatre Charms with The Waltz by Badian October 29, 2022
  • ATC Waits Out the Multi-Layered I’m Revolting to Score Big at the End of the Day October 27, 2022
  • The First Stone Powerfully Starts it All at Toronto’s Buddies in Bad Times Theatre October 25, 2022
  • Haley McGee Hits the Right Formula in The Ex-Boyfriend Yard Sale at Soulpepper Theatre, Toronto. October 22, 2022
  • NYTW american (tele)visions Shuffles Stations Hypnotically Meeting Needs, Without a Cure October 20, 2022
  • 1776’s Broadway Revival Casts its Historical Net Wide and Diverse, Thank God. October 18, 2022
  • MTC’s Cost of Living Spins a Fascinating and Compelling Net of Complicated Care and Sorrow October 14, 2022
  • Everything’s Fine (or is it?), Off-Broadway. October 13, 2022
  • Tom Stoppard’s Leopoldstadt Digs Deep into History and the Heart October 10, 2022
  • Red Sandcastle Theatre’s Civilized Hits History Home Honorably and Intensely, Required Viewing by All October 3, 2022
  • High School Project’s Into the Woods Lovingly Finds its Way to a Happy Ending at the Grand Theatre September 30, 2022
  • Ins Choi’s Bad Parent Giggles and Coos Entertainingly, Even With All That Crying and Fighting in the Bedroom September 27, 2022
  • Tarragon Theatre’s Cockroach Powerfully and Intensely Flourishes Against All the Racist Odds of the World September 24, 2022
  • Soulpepper’s King Lear & Queen Goneril Glitters Partial Gold in its Grouping September 21, 2022
  • Real Canaan Theatre Sells Strong with a Modern Fun The Merchant of Venice September 15, 2022

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