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June 21, 2022June 21, 2022 ross

The Chita Rivera Awards Kick Up Their Heels Once Again

June 21, 2022June 22, 2022 ross

Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird

June 21, 2022June 21, 2022 ross

2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should

June 20, 2022June 20, 2022 ross

The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto

June 10, 2022June 12, 2022 ross

The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆

June 9, 2022June 9, 2022 ross

Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked

June 7, 2022June 7, 2022 ross

Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma.

May 30, 2022May 30, 2022 ross

Broadway’s The Little Prince Fails to Fly

May 27, 2022May 27, 2022 ross

Broadway’s POTUS Deliciously Delivers the C-word Hilariously

May 25, 2022May 25, 2022 ross

American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be

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Recent Posts

  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
  • Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird June 21, 2022
  • 2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should June 21, 2022
  • The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto June 20, 2022
  • The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆 June 10, 2022
  • Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked June 9, 2022
  • Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma. June 7, 2022
  • Broadway’s The Little Prince Fails to Fly May 30, 2022
  • Broadway’s POTUS Deliciously Delivers the C-word Hilariously May 27, 2022
  • American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be May 25, 2022
  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
  • 2022 Drama League Award Winners May 20, 2022
  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022
  • for colored girls… Gives Broadway a Slice of Captivating Power May 17, 2022
  • The 2022 Drama Desk WINNERS ANNOUNCED May 16, 2022
  • Steppenwolf’s The Minutes Unmaskes For the Good of All People on Broadway May 16, 2022
  • Take Me Out on Broadway Unpacks Discomfort (But Not Your Phone) Beautifully May 13, 2022
  • New York Drama Critics’ Circle Winners Named May 13, 2022
  • It Takes Three (Companies) For These Two (Sisters) to Act So Powerfully for (She) the One in the Intense Is God Is May 12, 2022
  • Which Way To The Stage Lights Itself Up Strong, Smart, and Hilariously. May 10, 2022
  • The 2022 Tony Award Nominations May 9, 2022
  • NYCC Encores’ Soars High Into The Woods May 8, 2022
  • Funny Girl on Broadway Has About Three Strikes Against It (and if you know baseball, you know what that means) May 7, 2022
  • Broadway’s A Strange Loop Leaps High Across the Divide May 2, 2022
  • The Smell of Death Hillariously Never Really Vanishes for the Hangman on Broadway May 1, 2022
  • Outer Critic Circle Nominations Announced April 26, 2022
  • Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles April 26, 2022
  • Public’s Suffs Majestically Climbs Those Hard Earned Stairs Beautifully April 23, 2022
  • LCT Has Sewn a Lovely Intimate Apparel, But It Might Not Have Been Made to Fit Me April 19, 2022
  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
  • The New Group’s Black No More Rushes In and Awkwardly Dances Forward March 20, 2022
  • The Grand’s Room: A Wonderful Evening’s Escape March 18, 2022
  • Audible Theatre’s Long Day’s Journey Into Night Finds Sizzle in its Shortening March 11, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH – Part 2 March 5, 2022
  • The Long and Intensely Satisfying Prayer for the French Republic March 5, 2022
  • Out of Time at the Public Delivered Crisply In, Wisely Knitted by NAATCO March 1, 2022
  • Broadway’s Revival of The Music Man Entertains Charmingly February 28, 2022
  • MTC’s Skeleton Crew Projects Power and Hope on the Factory Wall February 20, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH February 15, 2022
  • CODA Has Something Beautiful to Say, Sing, and Sign February 14, 2022
  • HBO’s The Gilded Age Fails to Sizzle in Episode One. Fingers Crossed Going Forward. January 26, 2022
  • Netflix’s Passing is a Monochromatic Beautiful Obsession January 20, 2022
  • The Black and White Tragedy of Macbeth in a Brilliant Stark Construct January 18, 2022
  • HBO’s “Landscapers” Digs Deep & Rides Off Into The Sunset Brilliantly January 16, 2022
  • The Tender Bar Drives Its Point Home, Beautifully January 10, 2022

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