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March 20, 2026March 20, 2026 ross

Across the Ocean, Two Shows I Wish I Could See Again

March 20, 2026March 20, 2026 ross

A Theatre That Stays With You: Tarragon Marks 55 Years with a Thrilling Season

March 19, 2026March 19, 2026 ross

Broadway Welcomes “The Fear of 13” as Awards Season Heats Up

March 19, 2026March 19, 2026 ross

Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival

March 18, 2026March 18, 2026 ross

A Scheme That Keeps Paying Off: Richard Kind Joins “The Producers” as the Menier Chocolate Factory Machine Rolls On

March 18, 2026March 18, 2026 ross

Three Shows, One Night: March 18 Is Shaping Up to Be a Theatre Lover’s Dream

March 17, 2026March 17, 2026 ross

A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company

March 16, 2026March 16, 2026 ross

Oscar Night Results: “One Battle After Another” Leads the Charge at the 98th Academy Awards

March 16, 2026March 16, 2026 ross

Living Between the Lines – The Interview

March 15, 2026March 13, 2026 ross

A Gentle Hand, a Fragile Script: “Goodbye June” Struggles to Match Its Performances

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Recent Posts

  • Across the Ocean, Two Shows I Wish I Could See Again March 20, 2026
  • A Theatre That Stays With You: Tarragon Marks 55 Years with a Thrilling Season March 20, 2026
  • Broadway Welcomes “The Fear of 13” as Awards Season Heats Up March 19, 2026
  • Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival March 19, 2026
  • A Scheme That Keeps Paying Off: Richard Kind Joins “The Producers” as the Menier Chocolate Factory Machine Rolls On March 18, 2026
  • Three Shows, One Night: March 18 Is Shaping Up to Be a Theatre Lover’s Dream March 18, 2026
  • A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company March 17, 2026
  • Oscar Night Results: “One Battle After Another” Leads the Charge at the 98th Academy Awards March 16, 2026
  • Living Between the Lines – The Interview March 16, 2026
  • A Gentle Hand, a Fragile Script: “Goodbye June” Struggles to Match Its Performances March 15, 2026
  • A Second Wind for Desire: Pedro Pascal Steps Into Todd Haynes’ De Noche March 14, 2026
  • Before the Envelope Opens: My (Very Humble) Predictions for the 98th Academy Awards March 14, 2026
  • A Warrior in the Twilight: Judith Thompson’s “Queen Maeve” Faces the Wolves March 13, 2026
  • Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille March 12, 2026
  • “Giant” Begins Previews on Broadway With John Lithgow’s Commanding Return March 11, 2026
  • “One Battle After Another”: A Warning Shot Into America’s Darkening Sky March 11, 2026
  • A Scorching True-Crime Cinematic Classic Comes to Broadway: “Dog Day Afternoon” Begins Previews March 10, 2026
  • “All in Grand Time”: My Hometown’s Grand Theatre Unveils Its 2026/27 Season March 10, 2026
  • Fire Burns Beneath the Angel: “Summer and Smoke” at Crow’s Theatre March 9, 2026
  • Bear Hugs and Balcony Belting: The WhatsOnStage Awards Crown a Big Night for London Theatre March 8, 2026
  • Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre March 8, 2026
  • Two Songs at Once Arguing Outside the Door: “The Surrogate” Wrestles with the Politics of Parenthood March 7, 2026
  • “Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”) March 6, 2026
  • Death Starts Tonight on Broadway: : “Salesman” Begins Previews March 6, 2026
  • London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts March 5, 2026
  • “The Neighbours” at Tarragon Theatre: A Study in Quiet, Complex Complicity March 5, 2026
  • A Stratford UK Season Worth Dreaming About: Groff, Walter, and the RSC’s Bold New Lineup March 4, 2026
  • Actors Lovingly Applauding Actors: The SAG Awards Wake Up Awards Season March 3, 2026
  • A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway March 2, 2026
  • Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess March 1, 2026
  • The Art of The Elegant Unraveling – The Interview February 28, 2026
  • Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now February 27, 2026
  • A Party I Wish I Could Attend: Mrs Krishnan’s Party Opens at London’s Grand Theatre February 26, 2026
  • Izzy Says: Powerhouse Performances Transcend Translation in “Piaf/Dietrich” February 25, 2026
  • Still Catching Up: The BAFTAs Shake Up the Oscar Race February 24, 2026
  • Twelve Hours Isn’t Quite Enough: Celebrating Tracy Letts for a Day at Circle in the Square February 23, 2026
  • Missing the Opening of “Little Willy” at Canadian Stage February 22, 2026
  • Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped February 21, 2026
  • Heathcliff Returns Again: Curiosity Grows Around the New “Wuthering Heights” February 20, 2026
  • Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances February 19, 2026
  • Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust February 18, 2026
  • Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling February 17, 2026
  • Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru” February 16, 2026
  • The High School Project’s “School of Rock” at The Grand is Rocking the Room & Learning the Craft February 15, 2026
  • When One Curtain Falls and Another Rises February 14, 2026
  • Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right February 13, 2026
  • Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto February 12, 2026
  • The Interview: A Life in the Work: Robyne Parrish Comes Home to Leadership as Arrowrock Lyceum Theatre’s new Artistic Director February 11, 2026
  • The Creatives Most Honoured at the 2026 Obie Awards February 10, 2026
  • The Seduction of Certainty in “Marty Supreme” Works Without Asking for Approval February 9, 2026

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