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October 20, 2026October 19, 2026 ross

“2:22 – A Ghost Story” Is Coming to Off-Broadway, and I’m Already Watching that Damn Clock

October 19, 2026October 19, 2026 ross

“Pre-Existing Condition” Finds the Wounds That Time Cannot Close

October 18, 2026October 16, 2026 ross

“Bitter Christmas” Turns the Origin of Creation Into a Beautiful, Layered Act of Betrayal

October 17, 2026October 16, 2026 ross

Tarragon’s “Prophetess” Has a Warning for the Room

October 16, 2026October 16, 2026 ross

“Good Time Charlie” Knows Everyone Loves a One-Act Play

October 15, 2026October 15, 2026 ross

Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run

October 15, 2026October 14, 2026 ross

“ANON: a tempest at our kitchen table” Unleashes Suburban Panic at MCC Theater

October 14, 2026October 14, 2026 ross

Stratford Festival Announces the Acting Company for Its Landmark 75th Season

October 13, 2026October 13, 2026 ross

A24’s “The Debut” Sends a Housewife’s Community Theatre Dreams Gloriously Off the Rails

October 12, 2026October 12, 2026 ross

“Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror

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Recent Posts

  • “2:22 – A Ghost Story” Is Coming to Off-Broadway, and I’m Already Watching that Damn Clock October 20, 2026
  • “Pre-Existing Condition” Finds the Wounds That Time Cannot Close October 19, 2026
  • “Bitter Christmas” Turns the Origin of Creation Into a Beautiful, Layered Act of Betrayal October 18, 2026
  • Tarragon’s “Prophetess” Has a Warning for the Room October 17, 2026
  • “Good Time Charlie” Knows Everyone Loves a One-Act Play October 16, 2026
  • Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run October 15, 2026
  • “ANON: a tempest at our kitchen table” Unleashes Suburban Panic at MCC Theater October 15, 2026
  • Stratford Festival Announces the Acting Company for Its Landmark 75th Season October 14, 2026
  • A24’s “The Debut” Sends a Housewife’s Community Theatre Dreams Gloriously Off the Rails October 13, 2026
  • “Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror October 12, 2026
  • “The Man I Love” and “Ancestors” Find Queer Connection in the Shadow of AIDS October 11, 2026
  • “Club Kid” Finds a Different Kind of High in Unexpected Fatherhood October 10, 2026
  • “Below” and “YAGA” Have Me Wondering What’s Lurking in Canada October 9, 2026
  • “Così fan tutte” Has Me Questioning the Wisdom of Testing Love October 8, 2026
  • “Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell October 7, 2026
  • Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation October 6, 2026
  • “Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity October 5, 2026
  • “Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman October 4, 2026
  • Antonio says, “Give crowns and pounds and guineas- but not your heart away” October 3, 2026
  • “Misty Green” Breaks Your Heart One Bad Decision at a Time October 3, 2026
  • “Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again October 2, 2026
  • Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal October 1, 2026
  • A Young Man Climbs From Beneath the Snowy Silence in “A Long Winter” September 30, 2026
  • “La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company September 29, 2026
  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026
  • “Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre September 26, 2026
  • TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time September 25, 2026
  • Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford September 24, 2026
  • TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet September 23, 2026
  • Day Eleven at TIFF, and I’m Calling That a Wrap September 22, 2026
  • Day Ten at TIFF, and the Magic Hasn’t Worn Off September 21, 2026
  • TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled September 20, 2026
  • Day Nine at TIFF, Giving My Agenda to the Gods September 20, 2026
  • “Measure for Measure” Is Back on Air, and I’m Pressing Play on My Old Review September 20, 2026
  • Day Eight at TIFF, When the Day Makes the Choices September 19, 2026
  • Day Seven at TIFF, Trusting Where the Day Takes Me September 19, 2026
  • Day Six at TIFF, When Five Films Become a Test of Endurance September 18, 2026
  • “Becoming Hamlet” Gets Lost Inside Its Own Experiment September 18, 2026
  • “Walden” Finds Two Sisters Searching for Something Worth Saving September 17, 2026
  • “A Fine Balance” and “Being Heumann” Put People Inside History September 16, 2026
  • Day Five at TIFF, and the Movies Pack a Punch September 15, 2026
  • Day Four at TIFF, and I Get My Mojo Back  September 14, 2026
  • Day Three at TIFF, and the Right Choice Is to Sleep In September 13, 2026
  • “Dirty Bird” Goes Beautifully Off the Rails September 12, 2026
  • Day Two at #TIFF, and Back in My Seat September 11, 2026
  • split/decision’s “Safe House” Turns a Family Bunker Into a Dangerous Shelter September 10, 2026
  • Day One at TIFF, and a Choice Must Be Made September 10, 2026
  • “Heated Rivalry: The Unauthorized Musical Parody” Knows Exactly Why We’re Here September 9, 2026
  • Antonio says, “Well done! I can see your career rise in the east like the sun.”*  September 8, 2026

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