January 11, 2023January 11, 2023 ross

“The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues

December 11, 2022December 25, 2022 ross

Broadway’s One-Mays “Christmas Carol”, is Sumptuously Staged, But Lacks an Engaging Middle

February 14, 2022February 14, 2022 ross

CODA Has Something Beautiful to Say, Sing, and Sign

January 26, 2022January 26, 2022 ross

HBO’s The Gilded Age Fails to Sizzle in Episode One. Fingers Crossed Going Forward.

January 20, 2022January 22, 2022 ross

Netflix’s Passing is a Monochromatic Beautiful Obsession

January 18, 2022January 18, 2022 ross

The Black and White Tragedy of Macbeth in a Brilliant Stark Construct

January 16, 2022January 16, 2022 ross

HBO’s “Landscapers” Digs Deep & Rides Off Into The Sunset Brilliantly

January 10, 2022January 11, 2022 ross

The Tender Bar Drives Its Point Home, Beautifully

January 7, 2022January 7, 2022 ross

Don’t Look Up Hits Hard and On The Mark, Maybe Even a Bit Too Solidly to Laugh Whole Heartedly At

November 22, 2021November 22, 2021 ross

Returning to the Grand Theatre, London (Ontario) and Rejoicing with Mark Uhre’s Seeds of Self on Stage