January 24, 2023January 24, 2023 ross

NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully

January 11, 2023January 11, 2023 ross

“The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues

January 8, 2023January 8, 2023 ross

West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently

January 6, 2023January 6, 2023 ross

West End’s Great Play, Good

January 1, 2023January 2, 2023 ross

The Best of 2022 On Stage – in NYC, London, and Toronto

December 31, 2022December 31, 2022 ross

Ruben Östlund’s “Triangle of Sadness” – I Command You: Enjoy the Moment

December 27, 2022December 31, 2022 ross

Broadway’s “Ohio State Murders” Fails to Plunge the Knife in Deep

December 25, 2022December 27, 2022 ross

Broadway’s “Some Like It Hot” Sizzles and Soars Most Progressively

December 23, 2022January 19, 2023 ross

“& Juliet”, The New Broadway Musical Roars Strong

December 15, 2022December 25, 2022 ross

Playwrights Horizons Scores Big with Norris’s Complicated “Downstate”