January 6, 2026January 6, 2026 ross

A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National

January 5, 2026January 5, 2026 ross

A New Company, A Necessary Pause

January 4, 2026January 4, 2026 ross

Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz

January 3, 2026January 3, 2026 ross

Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove

January 2, 2026January 2, 2026 ross

Bringing the Shaw Festival to the City: Theatre, Access, and a Waterfront Home

January 1, 2026December 31, 2025 ross

A Wish and What Comes After: “Into the Woods” at the Bridge Theatre