December 4, 2022December 4, 2022 ross

Broadway’s Ain’t No Mo’ is Totally Enough

December 2, 2022December 2, 2022 ross

The Lea Michele Revitalized Funny Girl is Finally Balanced and Buoyant

November 13, 2022November 13, 2022 ross

The One Person Show Swims Strong With Walking Ghosts, Indigenous History, and an Old Man and the Pool, Exactly, Where We Belong

November 12, 2022November 12, 2022 ross

Almost Famous Strikes an Off-Key Chord on Broadway

November 6, 2022November 6, 2022 ross

Topdog/Underdog Moves and Grooves Intensely On Broadway Once Again

October 30, 2022October 30, 2022 ross

Arthur Miller’s Death of a Salesman Revival on Broadway Overflows with Respect and Relevance

October 18, 2022October 18, 2022 ross

1776’s Broadway Revival Casts its Historical Net Wide and Diverse, Thank God.

October 14, 2022October 14, 2022 ross

MTC’s Cost of Living Spins a Fascinating and Compelling Net of Complicated Care and Sorrow

October 10, 2022October 10, 2022 ross

Tom Stoppard’s Leopoldstadt Digs Deep into History and the Heart

August 2, 2022August 2, 2022 ross

Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway