April 16, 2023April 16, 2023 ross

The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake

April 13, 2023April 17, 2023 ross

“How To Defend Yourself” Punches Strong at NYTW

April 9, 2023April 17, 2023 ross

The Public’s “The Harder They Come” Dreams Big

March 26, 2023March 26, 2023 ross

Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof

March 3, 2023March 3, 2023 ross

MCC’s Wolf Play Rings Forth the Battle, Playfully and Emotionally

February 25, 2023February 25, 2023 ross

Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal

February 22, 2023February 22, 2023 ross

Leo Reich: Literally Who Cares?! Well, Maybe I do. Most Definitely.

February 21, 2023February 21, 2023 ross

Audible’s Lucy Builds Tension, But to What End?

February 18, 2023February 18, 2023 ross

Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core

January 24, 2023January 24, 2023 ross

NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully