March 5, 2024March 5, 2024 ross

Classic Stage Sails Strong and Clear with Shakespeare’s “Pericles”

March 4, 2024March 4, 2024 ross

The Engaging Double Dare of “The Life and Slimes of Marc Summers” Off-Broadway

March 3, 2024March 3, 2024 ross

Friedlich’s Downtown “JOB” Standoff Soars Sharply with Great Aim

March 2, 2024March 2, 2024 ross

“A Sign of the Times” Off-Broadway Dreams of the Dawn of a New Day

February 27, 2024February 28, 2024 ross

Public Theater Brings “The Ally” Forward for an Intense Debate

February 26, 2024February 26, 2024 ross

The New Group’s “The Seven Year Disappear” Is a Sweet Wonderful Lollipop of Strong Whiskey and Sadness

February 24, 2024February 24, 2024 ross

“Days of Wine and Roses” the Musical Ages Like Cut Flowers, Rather Than Wine in its Transfer Uptown to Broadway

February 23, 2024February 23, 2024 ross

“Jonah” Off-Broadway at Roundabout Cracks Wide Open Trauma and Repair

February 20, 2024February 21, 2024 ross

NYTW’s “I Love You So Much I Could Die” Asks A Lot From You. Are You Willing?

February 18, 2024February 18, 2024 ross

Two Epic Centerpieces in Two Very Different (and Dynamic) Musical Treatments Revel in Their Magnificence in Toronto: “Dion: A Rock Opera” & “De Profundis: Oscar Wilde in Jail”