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Tag: queer

April 2, 2025April 2, 2025 ross

Studio 180 Delivers “A Public Display of Affection” that Lovingly Engages with the Queer Village of Toronto

September 15, 2024September 15, 2024 ross

Luca Guadagnino’s “Queer”: A Wild, Twisted, & Unexpected Ride to Self Discovery and Drunken Love

July 7, 2024July 7, 2024 ross

Buddies in Bad Times Theatre’s 46th Season Announced

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Recent Posts

  • Meeting The Fantasticks for the First Time—Through a Queer Lens January 15, 2026
  • “The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart January 14, 2026
  • Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter January 13, 2026
  • When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop January 12, 2026
  • From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May January 11, 2026
  • My Favourite Week of the Summer is at The Stratford Festival January 10, 2026
  • Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End January 10, 2026
  • The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End January 9, 2026
  • When Theatre Dares to Reconcile the Irreconcilable: TIFT’s “All The Cows Are Dead” January 8, 2026
  • Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts January 7, 2026
  • A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National January 6, 2026
  • A New Company, A Necessary Pause January 5, 2026
  • Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz January 4, 2026
  • Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove January 3, 2026
  • Bringing the Shaw Festival to the City: Theatre, Access, and a Waterfront Home January 2, 2026
  • A Wish and What Comes After: “Into the Woods” at the Bridge Theatre January 1, 2026
  • The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre December 31, 2025
  • A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre December 30, 2025
  • A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace December 29, 2025
  • Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025 December 28, 2025
  • Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie” December 27, 2025
  • “You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles” December 26, 2025
  • Counting Blessings, Not Sheep: My Favourite Christmas Films December 25, 2025
  • “Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries” December 24, 2025
  • “Every Brilliant Thing”: The Radcliffe Return to Broadway December 23, 2025
  • The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife” December 22, 2025
  • When the Past Outshines the Future: “This World of Tomorrow” at The Shed December 21, 2025
  • Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025
  • Crowned and Caged: “Richard II” as Erotic Reckoning December 20, 2025
  • “Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025
  • Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond December 18, 2025
  • Checkmate by Vocal Firepower: Broadway’s “Chess” Blows the Roof Off Broadway December 17, 2025
  • The Captivating “Little Bear Ridge Road” Will Close Early on Broadway — A Quiet Loss for the Season December 16, 2025
  • “Titanique” Is Officially Docking on Broadway — And I’m Thrilled, Nervous, and So Ready for It December 15, 2025
  • Marla Mindelle and Josh Sharp Channel Nicole Kidman and Cate Blanchett in “A Kidman Carol” – and Bah Humbug, I’m Gonna Miss It! December 15, 2025
  • The Return and Reconstruction of “Marjorie Prime” December 14, 2025
  • “Rogers v. Rogers” at Crow’s Theatre: A Corporate Tragedy Told with Wit, Bite, and an Uneasy Kind of Catharsis December 13, 2025
  • FX’s “A Christmas Carol”, The Past That Shapes Us, the Present That Breaks Us, the Future That Saves Us December 12, 2025
  • Sherlock Returns to Westport: A Holiday Mystery Reopened December 11, 2025
  • A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing December 10, 2025
  • Golden Globe Morning: Cinema, Stages, TIFF, and the Strange Joy of Awards Season December 9, 2025
  • Something Like a Dream: Bad Hats’ “Narnia” Shines Brighter than Bright at Soulpepper December 8, 2025
  • More Pies, Please: A Deliciously Dark “Sweeney Todd” by Horrorshow Productions Thrills at the Alumnae December 7, 2025
  • A Quaint and Curious Night of Horror at Radiotheatre’s 15th Annual Edgar Allan Poe Festival December 6, 2025
  • The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached December 5, 2025
  • Cookie Contests, Small-Town Love, and Christmas Chaos at The Royal with “The Unauthorized Hallmark(ish) Parody Musical!” December 5, 2025
  • Inside the Factory Theatre Machine: “Public Consumption” and the Unnerving Art of Moderating the Obscene December 4, 2025
  • “Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention December 3, 2025
  • A Season Worth Leaning In For: Here For Now Announces an Ambitious 2026 Lineup December 3, 2025
  • Impossible Choices: The Brutal Beauty of MTC’s “Queens” December 2, 2025

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