front mezz junkies

a theatre review blog

Menu Skip to content

Home
About Ross
Our Blog

February 9, 2017February 23, 2017 ross

The Object LessonBy Geoff SobelleDirected by David NeumannScenic Installation Design by Steven Dufala

Published by ross

self appointed front mezzanine junkie of the highest order :) View all posts by ross

Post navigation

Previous The Object Lesson: Not Much to Hold On To in the End

Leave a comment Cancel reply

Δ

search for titles on my site

Search for:

Recent Posts

“Six” Stands Up Strong February 2, 2026
Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown January 31, 2026
Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page January 30, 2026
The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude January 29, 2026
Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection January 27, 2026
Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
Oscar 2026 Nominations Announced. Are You Ready? January 22, 2026
Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026
Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays” January 21, 2026
A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales” January 20, 2026
Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap” January 19, 2026
Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars January 18, 2026
Who’s in the Running? Frontrunners and Faves for the 98th Academy Awards January 17, 2026
Scratching at Reality: “Bug” and the Seduction of Shared Madness January 17, 2026
Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock” January 16, 2026
Meeting The Fantasticks for the First Time—Through a Queer Lens January 15, 2026
“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart January 14, 2026
Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter January 13, 2026
When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop January 12, 2026
From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May January 11, 2026
My Favourite Week of the Summer is at The Stratford Festival January 10, 2026
Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End January 10, 2026
The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End January 9, 2026
When Theatre Dares to Reconcile the Irreconcilable: TIFT’s “All The Cows Are Dead” January 8, 2026
Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts January 7, 2026
A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National January 6, 2026
A New Company, A Necessary Pause January 5, 2026
Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz January 4, 2026
Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove January 3, 2026
Bringing the Shaw Festival to the City: Theatre, Access, and a Waterfront Home January 2, 2026
A Wish and What Comes After: “Into the Woods” at the Bridge Theatre January 1, 2026
The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre December 31, 2025
A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre December 30, 2025
A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace December 29, 2025
Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025 December 28, 2025
Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie” December 27, 2025
“You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles” December 26, 2025
Counting Blessings, Not Sheep: My Favourite Christmas Films December 25, 2025
“Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries” December 24, 2025
“Every Brilliant Thing”: The Radcliffe Return to Broadway December 23, 2025
The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife” December 22, 2025
When the Past Outshines the Future: “This World of Tomorrow” at The Shed December 21, 2025
Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025
Crowned and Caged: “Richard II” as Erotic Reckoning December 20, 2025
“Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 581 other subscribers

Follow front mezz junkies on WordPress.com

Blog Stats

851,797 hits

February 2026
M	T	W	T	F	S	S
						1
2	3	4	5	6	7	8
9	10	11	12	13	14	15
16	17	18	19	20	21	22
23	24	25	26	27	28

« Jan

award worthy broadway Canadian theatre film fringe london musical new musical New Play off broadway Opening Night out of town theater play revival reviews revival ross says: streaming tony predictions toronto

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy

Comment
Subscribe Subscribed
- front mezz junkies
- Already have a WordPress.com account? Log in now.