October 26, 2026October 25, 2026 ross

The Shaw Festival Comes to Toronto’s Waterfront, and I’m Already Kicking Myself About Missing “Sleuth”

October 17, 2026October 16, 2026 ross

Tarragon’s “Prophetess” Has a Warning for the Room

October 15, 2026October 15, 2026 ross

Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run

October 14, 2026October 14, 2026 ross

Stratford Festival Announces the Acting Company for Its Landmark 75th Season

October 9, 2026October 10, 2026 ross

“Below” and “YAGA” Have Me Wondering What’s Lurking in Canada

October 5, 2026 ross

“Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity

October 4, 2026October 4, 2026 ross

“Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman

October 2, 2026October 2, 2026 ross

“Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again

October 1, 2026October 1, 2026 ross

Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal

September 29, 2026September 29, 2026 ross

“La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company