September 22, 2025 ross

A Chilling Bargain Unhinged in “The Veil” at Crow’s Theatre

September 21, 2025September 21, 2025 ross

The Coal Mine’s Ferociously Funny and Wantonly Wise “Waiting For Godot”

September 20, 2025September 20, 2025 ross

Swipe, Refresh, Repent: Inside the Addictive Pull of Dave Malloy’s Skillfully Harmonizing “Octet”

September 19, 2025September 19, 2025 ross

Acton Says: Playing with fire: “Kinkakuji” at Japan Society

September 18, 2025September 18, 2025 ross

Lucy Kirkwood’s “The Welkin” Unloads a Not-to-be Missed Fierce Battleground of Misogyny, Motherhood, and Moral Reckoning

September 17, 2025September 17, 2025 ross

TIFF50: “Carolina Caroline” is a Bonnie & Clyde Fever Dream of Lust, Larceny and Americana

September 16, 2025September 16, 2025 ross

TIFF50: “The Captive” / “El Cautivo” Holds Us Tight, Imprisoning Us in its Glorious Storytelling and Visuals

September 15, 2025September 15, 2025 ross

TIFF50: In Chloé Zhao’s “Hamnet” History Breathes, Grief Burns, and Love Soars Higher Than All

September 15, 2025September 15, 2025 ross

Vancouver Queer Film Festival Announces Their Award Recipients

September 14, 2025September 15, 2025 ross

TIFF50 Announces 2025 Award Winners Including People’s Choice