October 31, 2025October 31, 2025 ross

“Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes

October 30, 2025October 30, 2025 ross

“Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart

October 29, 2025October 28, 2025 ross

“Not Ready for Prime Time” Misses Its Own Cue

October 28, 2025October 28, 2025 ross

“Liberation” Finds Expanded Power and Light on Broadway

October 27, 2025October 27, 2025 ross

Dreams, Desperation, and the Price of Peace: Two Canadian Visions of Modern Salvation at TIFF 50 with “Lovely Day” & “The Cost of Heaven”

October 26, 2025October 25, 2025 ross

Unwrapping the Interview Joy: George Reinblatt and Suzy Wilde on Turning Holiday Clichés into a Golden and “Predictable Holiday Rom-Com” Musical

October 25, 2025October 26, 2025 ross

Inside the Devil’s Masquerade: White Mill’s Tales of the Damned at Campbell House

October 24, 2025October 24, 2025 ross

The Weight of Secrets: “Adulthood” & “Little Lorraine” at TIFF50

October 23, 2025October 22, 2025 ross

TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid”

October 22, 2025October 21, 2025 ross

Dublin Theatre Festival’s “The Boy” at the Abbey Theatre: Myth, Madness, and the Weight of the Divine