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Day: November 26, 2025

November 26, 2025November 26, 2025 ross

Public Theater’s “The Seat of Our Pants”: A Wilder Miracle of Musical Mayhem as the World Ends, Again

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  • Public Theater’s “The Seat of Our Pants”: A Wilder Miracle of Musical Mayhem as the World Ends, Again November 26, 2025
  • “Irving Berlin’s White Christmas” Delivers Holiday Warmth and Classic Charm at the Shaw Festival, Canada November 25, 2025
  • Coal Mine Theatre’s “Fulfillment Centre”: Drifting in a Desert of Dynamic Disappointment November 24, 2025
  • debbie tucker green’s “a profoundly affectionate, passionate devotion to someone (-noun)” Arrives Unflinching at Tarragon’s Mainspace . November 23, 2025
  • “An Orchid and Other Such Lilies and Lies”: Where Fear, Loathing, and Tenderness Folds and Unfolds November 22, 2025
  • “The Christmas Market” Play Finds Warmth in the Cracks of a Cold Reality November 21, 2025
  • “Two Strangers (Carry a Cake Across New York)” on Broadway: Hope and Connection in Motion November 20, 2025
  • “Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force November 19, 2025
  • Revisiting The Laramie Project: A Return to the Heart of Why We Gather November 18, 2025
  • “Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning November 17, 2025
  • THE NEW GROUP’s New Home and New Season November 16, 2025
  • A Festive, Self-Aware Crowd-Pleasing “Predictable Holiday Rom-Com: The Musical” at Second City Toronto Contains More Heart Than You’d Expect November 15, 2025
  • “Drivers Ed” A Road Trip That Knows Exactly Where It’s Going November 14, 2025
  • “Wonderful Joe” at the Grand Theatre London: A Touching Love Letter to the Overlooked November 13, 2025
  • Snow, Song, and Satire: Talking with the Stars of “The Unauthorized Hallmark(ish) Parody Musical” November 12, 2025
  • God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway November 11, 2025
  • Bowtie Productions’ “tick, tick…BOOM!” Pulses with Legacy and Life at Alumnae Theatre November 10, 2025
  • Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA” November 9, 2025
  • “The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto November 8, 2025
  • Puppets, Prophecies, and $5 Salvation: A Night in Doc Wuthergloom’s “Little Lib’ary of the Damned” at the Red Sandcastle Theatre November 7, 2025
  • “The Twits” (2025): Slimy, Smart, Sticky, Savage, and Sweetly Subversive November 7, 2025
  • Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun November 6, 2025
  • “Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis November 5, 2025
  • Bat Boy: The Musical at NYCC — A Sharp-Toothed, Sweet-Hearted Revival That Soars November 4, 2025
  • “Kyoto” at Lincoln Center Theater: A Cautionary, Calculated, and Cauterizing Study in Denial and Strategy November 3, 2025
  • A Barn Full of Ghosts (and Great Stories): The Interview November 3, 2025
  • Ragtime on Broadway: America Sings, Cries, and Soars Once More November 2, 2025
  • Why Ragtime Matters Now: A Reflection on Revival and Resonance November 2, 2025
  • “Other” at Greenwich House Theatre: The Beautiful, Anxious Art of Self-Acceptance November 1, 2025
  • “Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes October 31, 2025
  • “Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart October 30, 2025
  • “Not Ready for Prime Time” Misses Its Own Cue October 29, 2025
  • “Liberation” Finds Expanded Power and Light on Broadway October 28, 2025
  • Dreams, Desperation, and the Price of Peace: Two Canadian Visions of Modern Salvation at TIFF 50 with “Lovely Day” & “The Cost of Heaven” October 27, 2025
  • Unwrapping the Interview Joy: George Reinblatt and Suzy Wilde on Turning Holiday Clichés into a Golden and “Predictable Holiday Rom-Com” Musical October 26, 2025
  • Inside the Devil’s Masquerade: White Mill’s Tales of the Damned at Campbell House October 25, 2025
  • The Weight of Secrets: “Adulthood” & “Little Lorraine” at TIFF50 October 24, 2025
  • TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid” October 23, 2025
  • Dublin Theatre Festival’s “The Boy” at the Abbey Theatre: Myth, Madness, and the Weight of the Divine October 22, 2025
  • Spontaneous Theatre’s “Goblin:Oedipus” at the Stratford Festival: Tricksters, Truths, and the Theatre of Chaos October 21, 2025
  • The Grand Theatre’s “The Play That Goes Wrong”: Still Hilariously Right October 20, 2025
  • “Bremen Town” at Tarragon Theatre: Fragments of Faith and Fury on a Fragile Fairy Tale Journey Home October 19, 2025
  • The Gate’s “Poor”: Cycles of Pain, Acts of Seeing, and the Grace of Survival at the Dublin Theatre Festival October 18, 2025
  • Beautiful & Frustrating Monsters: “Hedda” and “Two Pianos” at TIFF50 October 17, 2025
  • Acton Says: Batter up – “The Pitch” at Actors Temple Theatre October 16, 2025
  • TIFF50: “Peak Everything”: How to Fall in Love While the World Ends October 15, 2025
  • “Cats: The Jellicle Ball” Returns to Broadway & “Cats” Goes to Regent’s Park— Two Invitations You Can’t Refuse October 14, 2025
  • Combative Conditional Love and the Courage to Confront: Inside MCC’s “Caroline” October 13, 2025
  • Wondrously “Waiting…“, Wanting, Watching: Beckett on Broadway and Beyond October 12, 2025
  • SCHMIGADOON! is Heading to #Broadway in Spring 2026 October 11, 2025

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