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Day: March 8, 2026

March 8, 2026 ross

Bear Hugs and Balcony Belting: The WhatsOnStage Awards Crown a Big Night for London Theatre

March 8, 2026 ross

Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre

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Recent Posts

  • Bear Hugs and Balcony Belting: The WhatsOnStage Awards Crown a Big Night for London Theatre March 8, 2026
  • Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre March 8, 2026
  • Two Songs at Once Arguing Outside the Door: “The Surrogate” Wrestles with the Politics of Parenthood March 7, 2026
  • “Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”) March 6, 2026
  • Death Starts Tonight on Broadway: : “Salesman” Begins Previews March 6, 2026
  • London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts March 5, 2026
  • “The Neighbours” at Tarragon Theatre: A Study in Quiet, Complex Complicity March 5, 2026
  • A Stratford UK Season Worth Dreaming About: Groff, Walter, and the RSC’s Bold New Lineup March 4, 2026
  • Actors Lovingly Applauding Actors: The SAG Awards Wake Up Awards Season March 3, 2026
  • A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway March 2, 2026
  • Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess March 1, 2026
  • The Art of The Elegant Unraveling – The Interview February 28, 2026
  • Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now February 27, 2026
  • A Party I Wish I Could Attend: Mrs Krishnan’s Party Opens at London’s Grand Theatre February 26, 2026
  • Izzy Says: Powerhouse Performances Transcend Translation in “Piaf/Dietrich” February 25, 2026
  • Still Catching Up: The BAFTAs Shake Up the Oscar Race February 24, 2026
  • Twelve Hours Isn’t Quite Enough: Celebrating Tracy Letts for a Day at Circle in the Square February 23, 2026
  • Missing the Opening of “Little Willy” at Canadian Stage February 22, 2026
  • Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped February 21, 2026
  • Heathcliff Returns Again: Curiosity Grows Around the New “Wuthering Heights” February 20, 2026
  • Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances February 19, 2026
  • Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust February 18, 2026
  • Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling February 17, 2026
  • Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru” February 16, 2026
  • The High School Project’s “School of Rock” at The Grand is Rocking the Room & Learning the Craft February 15, 2026
  • When One Curtain Falls and Another Rises February 14, 2026
  • Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right February 13, 2026
  • Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto February 12, 2026
  • The Interview: A Life in the Work: Robyne Parrish Comes Home to Leadership as Arrowrock Lyceum Theatre’s new Artistic Director February 11, 2026
  • The Creatives Most Honoured at the 2026 Obie Awards February 10, 2026
  • The Seduction of Certainty in “Marty Supreme” Works Without Asking for Approval February 9, 2026
  • “Mexodus” Returns Off-Broadway, Looping History Back Into the Present February 8, 2026
  • The Interview: Gabriella Sundar Singh and the Solitude of Witness February 7, 2026
  • The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention” February 6, 2026
  • Last Call for a Legend: Finding Dorothy Parker Returns to the Beechman February 5, 2026
  • The Power of Remembering: The Interview February 4, 2026
  • Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work February 3, 2026
  • “Six” Stands Up Strong February 2, 2026
  • Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
  • BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown January 31, 2026
  • Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page January 30, 2026
  • The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude January 29, 2026
  • Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
  • The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection January 27, 2026
  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
  • The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
  • When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
  • Oscar 2026 Nominations Announced. Are You Ready? January 22, 2026
  • Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026

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