October 4, 2025October 4, 2025 ross

“Mexodus” Brilliantly Layers and Loops History with Liberation at Audible Theater

October 3, 2025October 3, 2025 ross

NYTW Preaches A Glorious Gospel Gathering of Love and Defiance with “Saturday Church”

October 2, 2025October 1, 2025 ross

Stratford Festival’s Next Artistic Director Announced

October 1, 2025October 1, 2025 ross

“House of McQueen”: A Stylish but Neat Hemline Where a Raw Cut Was Desired

September 30, 2025September 30, 2025 ross

The Public Theater’s “The Other Americans” Sharply Spins Family Ties and Cultural Tensions

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 28, 2025September 27, 2025 ross

Acton Says: …And I Feel Fine: “The Cherry Orchard” at Rutgers Presbyterian Church

September 27, 2025 ross

Crossing “The Green Line”: Love and Survival Amid Beirut’s Divide

September 27, 2025September 27, 2025 ross

Acton Says: It’s in the Bag: Blood Orange at the Jeffrey and Paula Gural Theatre

September 26, 2025September 26, 2025 ross

Power, Desire, and the Tango Dance of Queer History in TPM’s “Butch/Femme”