November 6, 2025November 6, 2025 ross

Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun

November 5, 2025November 5, 2025 ross

“Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis

November 4, 2025November 4, 2025 ross

Bat Boy: The Musical at NYCC — A Sharp-Toothed, Sweet-Hearted Revival That Soars

November 3, 2025November 4, 2025 ross

“Kyoto” at Lincoln Center Theater: A Cautionary, Calculated, and Cauterizing Study in Denial and Strategy

November 3, 2025November 3, 2025 ross

A Barn Full of Ghosts (and Great Stories): The Interview

November 2, 2025November 2, 2025 ross

Ragtime on Broadway: America Sings, Cries, and Soars Once More

November 2, 2025November 2, 2025 ross

Why Ragtime Matters Now: A Reflection on Revival and Resonance

November 1, 2025October 31, 2025 ross

“Other” at Greenwich House Theatre: The Beautiful, Anxious Art of Self-Acceptance

October 31, 2025October 31, 2025 ross

“Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes

October 30, 2025October 30, 2025 ross

“Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart