January 29, 2026January 27, 2026 ross

The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude

January 28, 2026January 27, 2026 ross

Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching

January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”

January 24, 2026January 24, 2026 ross

The Promises and Problems of Crave’s “Heated Rivalry”

January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

January 22, 2026March 14, 2026 ross

Oscar 2026 Nominations Announced. Are You Ready?

January 22, 2026January 21, 2026 ross

Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”