January 18, 2026January 19, 2026 ross

Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars

January 17, 2026January 17, 2026 ross

Who’s in the Running? Frontrunners and Faves for the 98th Academy Awards

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 11, 2026January 10, 2026 ross

From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May

January 10, 2026January 9, 2026 ross

Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

January 4, 2026January 4, 2026 ross

Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz

January 3, 2026January 3, 2026 ross

Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove

January 1, 2026December 31, 2025 ross

A Wish and What Comes After: “Into the Woods” at the Bridge Theatre