October 9, 2025October 9, 2025 ross

TIFF50: “A Private Life” Speaks Cleverly About Silence and the Self

October 8, 2025October 8, 2025 ross

MTC’s “Punch”: The Weight of One Powerful Blow

October 7, 2025 ross

TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen

October 5, 2025October 5, 2025 ross

Jeremy O. Harris’s “Slave Play” About Race, Sex, and Therapy Hits Toronto’s Canadian Stage Like a Fever Dream

October 4, 2025October 4, 2025 ross

“Mexodus” Brilliantly Layers and Loops History with Liberation at Audible Theater

October 3, 2025October 3, 2025 ross

NYTW Preaches A Glorious Gospel Gathering of Love and Defiance with “Saturday Church”

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis

September 23, 2025September 23, 2025 ross

The Stunning, Gorgeous Return of “King Gilgamesh & the Man of the Wild” at Soulpepper Toronto