December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond

November 26, 2025 ross

The Phenomenal “Hamnet” Opens on the Big Screen this Thanksgiving

November 25, 2025November 25, 2025 ross

“Irving Berlin’s White Christmas” Delivers Holiday Warmth and Classic Charm at the Shaw Festival, Canada

November 3, 2025November 3, 2025 ross

A Barn Full of Ghosts (and Great Stories): The Interview

October 31, 2025October 31, 2025 ross

“Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes

October 24, 2025October 24, 2025 ross

The Weight of Secrets: “Adulthood” & “Little Lorraine” at TIFF50

October 23, 2025October 22, 2025 ross

TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid”

October 22, 2025October 21, 2025 ross

Dublin Theatre Festival’s “The Boy” at the Abbey Theatre: Myth, Madness, and the Weight of the Divine

October 21, 2025October 22, 2025 ross

Spontaneous Theatre’s “Goblin:Oedipus” at the Stratford Festival: Tricksters, Truths, and the Theatre of Chaos

October 18, 2025October 18, 2025 ross

The Gate’s “Poor”: Cycles of Pain, Acts of Seeing, and the Grace of Survival at the Dublin Theatre Festival