October 17, 2025October 17, 2025 ross

Beautiful & Frustrating Monsters: “Hedda” and “Two Pianos” at TIFF50

October 15, 2025October 15, 2025 ross

TIFF50: “Peak Everything”: How to Fall in Love While the World Ends

October 9, 2025October 9, 2025 ross

TIFF50: “A Private Life” Speaks Cleverly About Silence and the Self

October 7, 2025 ross

TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen

October 2, 2025October 1, 2025 ross

Stratford Festival’s Next Artistic Director Announced

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis

September 17, 2025September 17, 2025 ross

TIFF50: “Carolina Caroline” is a Bonnie & Clyde Fever Dream of Lust, Larceny and Americana

September 16, 2025September 16, 2025 ross

TIFF50: “The Captive” / “El Cautivo” Holds Us Tight, Imprisoning Us in its Glorious Storytelling and Visuals