October 10, 2025October 15, 2025 ross

‘The White Lotus’ Will Sharpe Stars Alongside Paul Bettany in the Upcoming “Amadeus” Series

October 9, 2025October 9, 2025 ross

TIFF50: “A Private Life” Speaks Cleverly About Silence and the Self

October 7, 2025 ross

TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis

September 17, 2025September 17, 2025 ross

TIFF50: “Carolina Caroline” is a Bonnie & Clyde Fever Dream of Lust, Larceny and Americana

September 16, 2025September 16, 2025 ross

TIFF50: “The Captive” / “El Cautivo” Holds Us Tight, Imprisoning Us in its Glorious Storytelling and Visuals

September 15, 2025September 15, 2025 ross

TIFF50: In Chloé Zhao’s “Hamnet” History Breathes, Grief Burns, and Love Soars Higher Than All

September 15, 2025September 15, 2025 ross

Vancouver Queer Film Festival Announces Their Award Recipients