December 10, 2025December 9, 2025 ross

A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing

December 3, 2025December 5, 2025 ross

“Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention

October 25, 2025October 26, 2025 ross

Inside the Devil’s Masquerade: White Mill’s Tales of the Damned at Campbell House

August 15, 2025August 14, 2025 ross

Acton Says: “The Animals Speak”: Walt Disney in South America

August 9, 2025August 8, 2025 ross

Redheaded Stepchild’s “Gaylord” is Queer as Hell—Packing the Briefs with Clever Metaphors and Meaty Ideas

August 8, 2025August 8, 2025 ross

Unapologetically Queer: Two Hamilton Fringe Gay Gems – The Bold, Funny, and Fierce “A Canadian Explains Eurovision to Other Canadians” + “The Heterosexuals”

August 7, 2025August 7, 2025 ross

Hamilton Fringe’s Surprisingly Filling Fun and Very Juicy “Meat Market”

August 5, 2025August 5, 2025 ross

The Hamilton Fringe Dynamically Finds Perfect Patience inside Breadbox Theatre’s “Waiting For* Godot *Waiting For, Waiting For”

August 3, 2025August 4, 2025 ross

Vivid Voices and Fierce Truths: Two Standout Hamilton Fringe Solo Shows – Sex Goddess + Horseface

August 2, 2025August 3, 2025 ross

The Hamilton Fringe Festival’s “Crane Girl” + “A Question of Character” -Exploring Dark, Painful Shadows in the Light of HIgh-up Modern Storytelling