January 30, 2026January 31, 2026 ross

Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

December 28, 2025December 27, 2025 ross

Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025

December 10, 2025December 9, 2025 ross

A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing

December 3, 2025December 5, 2025 ross

“Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention

October 25, 2025October 26, 2025 ross

Inside the Devil’s Masquerade: White Mill’s Tales of the Damned at Campbell House

August 15, 2025August 14, 2025 ross

Acton Says: “The Animals Speak”: Walt Disney in South America

August 9, 2025August 8, 2025 ross

Redheaded Stepchild’s “Gaylord” is Queer as Hell—Packing the Briefs with Clever Metaphors and Meaty Ideas

August 8, 2025August 8, 2025 ross

Unapologetically Queer: Two Hamilton Fringe Gay Gems – The Bold, Funny, and Fierce “A Canadian Explains Eurovision to Other Canadians” + “The Heterosexuals”