December 22, 2023December 22, 2023 ross

Second Stage Spins Forth a Compelling and Funny “Spain” for the Consumption of the Disinformation Age

December 18, 2023December 18, 2023 ross

A.R.T./NY’s Unemotional “Shadows” Doesn’t Realize Its Goals

December 4, 2023December 4, 2023 ross

“Stereophonic” at Playwrights Horizons Sings Solidly

November 29, 2023December 1, 2023 ross

Vineyard’s “Scene Partners” Gets Stuck Between Floors

November 29, 2023November 28, 2023 ross

Unpacking Frontmezzjunkies’s London Theatrical Trip 0f 2023

November 27, 2023November 27, 2023 ross

“The Father and the Assassin” Enlightens and Questions at the National Theatre, London

November 20, 2023November 20, 2023 ross

I Don’t Think I Need the Sweet but Messy “I Need That” at Roundabout

November 19, 2023November 19, 2023 ross

“All The Devils Are Here: How Shakespeare Invented The Villain” Magnificently Explored Page by Patrick Page

November 18, 2023November 18, 2023 ross

The Tense and Hilarious “Withrow Park” Spies Strong at Tarragon Theatre, Toronto

November 12, 2023November 12, 2023 ross

West End’s “Dr. Semmelweis” Has the Entertaining Courage to Truly Deliver the Truth with Passion, Clarity, and Ghosts