January 19, 2026January 18, 2026 ross

Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap”

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 11, 2026January 10, 2026 ross

From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May

January 10, 2026 ross

My Favourite Week of the Summer is at The Stratford Festival

January 9, 2026January 9, 2026 ross

The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End

December 31, 2025December 31, 2025 ross

The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre

December 28, 2025December 27, 2025 ross

Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025

December 24, 2025December 24, 2025 ross

“Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries”

December 21, 2025December 21, 2025 ross

When the Past Outshines the Future: “This World of Tomorrow” at The Shed

December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond