front mezz junkies

a theatre review blog

Menu Skip to content
  • Home
  • About Ross
  • Our Blog

Category: off broadway

March 19, 2026March 19, 2026 ross

Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival

March 18, 2026March 18, 2026 ross

Three Shows, One Night: March 18 Is Shaping Up to Be a Theatre Lover’s Dream

March 17, 2026March 17, 2026 ross

A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company

March 16, 2026March 16, 2026 ross

Living Between the Lines – The Interview

February 27, 2026February 27, 2026 ross

Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now

February 17, 2026February 16, 2026 ross

Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling

February 16, 2026February 16, 2026 ross

Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru”

February 10, 2026February 10, 2026 ross

The Creatives Most Honoured at the 2026 Obie Awards

February 5, 2026February 5, 2026 ross

Last Call for a Legend: Finding Dorothy Parker Returns to the Beechman

January 31, 2026January 31, 2026 ross

BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown

Posts navigation

Older posts

search for titles on my site

Recent Posts

  • Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival March 19, 2026
  • A Scheme That Keeps Paying Off: Richard Kind Joins “The Producers” as the Menier Chocolate Factory Machine Rolls On March 18, 2026
  • Three Shows, One Night: March 18 Is Shaping Up to Be a Theatre Lover’s Dream March 18, 2026
  • A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company March 17, 2026
  • Oscar Night Results: “One Battle After Another” Leads the Charge at the 98th Academy Awards March 16, 2026
  • Living Between the Lines – The Interview March 16, 2026
  • A Gentle Hand, a Fragile Script: “Goodbye June” Struggles to Match Its Performances March 15, 2026
  • A Second Wind for Desire: Pedro Pascal Steps Into Todd Haynes’ De Noche March 14, 2026
  • Before the Envelope Opens: My (Very Humble) Predictions for the 98th Academy Awards March 14, 2026
  • A Warrior in the Twilight: Judith Thompson’s “Queen Maeve” Faces the Wolves March 13, 2026
  • Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille March 12, 2026
  • “Giant” Begins Previews on Broadway With John Lithgow’s Commanding Return March 11, 2026
  • “One Battle After Another”: A Warning Shot Into America’s Darkening Sky March 11, 2026
  • A Scorching True-Crime Cinematic Classic Comes to Broadway: “Dog Day Afternoon” Begins Previews March 10, 2026
  • “All in Grand Time”: My Hometown’s Grand Theatre Unveils Its 2026/27 Season March 10, 2026
  • Fire Burns Beneath the Angel: “Summer and Smoke” at Crow’s Theatre March 9, 2026
  • Bear Hugs and Balcony Belting: The WhatsOnStage Awards Crown a Big Night for London Theatre March 8, 2026
  • Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre March 8, 2026
  • Two Songs at Once Arguing Outside the Door: “The Surrogate” Wrestles with the Politics of Parenthood March 7, 2026
  • “Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”) March 6, 2026
  • Death Starts Tonight on Broadway: : “Salesman” Begins Previews March 6, 2026
  • London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts March 5, 2026
  • “The Neighbours” at Tarragon Theatre: A Study in Quiet, Complex Complicity March 5, 2026
  • A Stratford UK Season Worth Dreaming About: Groff, Walter, and the RSC’s Bold New Lineup March 4, 2026
  • Actors Lovingly Applauding Actors: The SAG Awards Wake Up Awards Season March 3, 2026
  • A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway March 2, 2026
  • Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess March 1, 2026
  • The Art of The Elegant Unraveling – The Interview February 28, 2026
  • Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now February 27, 2026
  • A Party I Wish I Could Attend: Mrs Krishnan’s Party Opens at London’s Grand Theatre February 26, 2026
  • Izzy Says: Powerhouse Performances Transcend Translation in “Piaf/Dietrich” February 25, 2026
  • Still Catching Up: The BAFTAs Shake Up the Oscar Race February 24, 2026
  • Twelve Hours Isn’t Quite Enough: Celebrating Tracy Letts for a Day at Circle in the Square February 23, 2026
  • Missing the Opening of “Little Willy” at Canadian Stage February 22, 2026
  • Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped February 21, 2026
  • Heathcliff Returns Again: Curiosity Grows Around the New “Wuthering Heights” February 20, 2026
  • Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances February 19, 2026
  • Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust February 18, 2026
  • Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling February 17, 2026
  • Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru” February 16, 2026
  • The High School Project’s “School of Rock” at The Grand is Rocking the Room & Learning the Craft February 15, 2026
  • When One Curtain Falls and Another Rises February 14, 2026
  • Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right February 13, 2026
  • Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto February 12, 2026
  • The Interview: A Life in the Work: Robyne Parrish Comes Home to Leadership as Arrowrock Lyceum Theatre’s new Artistic Director February 11, 2026
  • The Creatives Most Honoured at the 2026 Obie Awards February 10, 2026
  • The Seduction of Certainty in “Marty Supreme” Works Without Asking for Approval February 9, 2026
  • “Mexodus” Returns Off-Broadway, Looping History Back Into the Present February 8, 2026
  • The Interview: Gabriella Sundar Singh and the Solitude of Witness February 7, 2026
  • The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention” February 6, 2026

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 583 other subscribers
Follow front mezz junkies on WordPress.com

Blog Stats

  • 922,136 hits
March 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  
« Feb    

award worthy broadway Canadian theatre film fringe london musical new musical New Play off broadway Opening Night out of town theater play revival reviews revival ross says: streaming tony predictions toronto
Blog at WordPress.com.
front mezz junkies
Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • front mezz junkies
      • Join 249 other subscribers
    • Already have a WordPress.com account? Log in now.
    • front mezz junkies
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...