November 2, 2022November 2, 2022 ross

We All Have Knives, An Interview

October 30, 2022October 30, 2022 ross

Arthur Miller’s Death of a Salesman Revival on Broadway Overflows with Respect and Relevance

October 14, 2022October 14, 2022 ross

MTC’s Cost of Living Spins a Fascinating and Compelling Net of Complicated Care and Sorrow

September 21, 2022September 21, 2022 ross

Soulpepper’s King Lear & Queen Goneril Glitters Partial Gold in its Grouping

September 15, 2022September 16, 2022 ross

Real Canaan Theatre Sells Strong with a Modern Fun The Merchant of Venice

August 17, 2022August 18, 2022 ross

Shakespeare in High Park’s Festively Fun and Flowery As You Like It Does the Bard Proud

July 11, 2022July 11, 2022 ross

Shakespeare in the Park’s Richard III Fails to Inspire, Even With All Its Groundbreaking Positioning

June 10, 2022June 12, 2022 ross

The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆

June 7, 2022June 7, 2022 ross

Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma.

May 25, 2022May 25, 2022 ross

American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be