March 22, 2026March 22, 2026 ross

Learning How to Fight, Learning How to Stay: “The Monsters” Turns Combat Into Connection

March 21, 2026March 21, 2026 ross

An Invitation You Should Accept: ARC’s “A Mirror” Turns a Wedding Into an Act of Rebellion

March 19, 2026March 19, 2026 ross

Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival

March 17, 2026March 17, 2026 ross

A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company

March 15, 2026March 13, 2026 ross

A Gentle Hand, a Fragile Script: “Goodbye June” Struggles to Match Its Performances

March 13, 2026March 13, 2026 ross

A Warrior in the Twilight: Judith Thompson’s “Queen Maeve” Faces the Wolves

March 12, 2026March 12, 2026 ross

Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille

March 9, 2026March 8, 2026 ross

Fire Burns Beneath the Angel: “Summer and Smoke” at Crow’s Theatre

March 7, 2026March 7, 2026 ross

Two Songs at Once Arguing Outside the Door: “The Surrogate” Wrestles with the Politics of Parenthood

March 6, 2026March 6, 2026 ross

“Heel”: Revisiting Jan Komasa’s Twisted TIFF Thriller (formerly “Good Boy”)