January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”

January 20, 2026January 19, 2026 ross

A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales”

January 19, 2026January 18, 2026 ross

Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap”

January 18, 2026January 19, 2026 ross

Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

January 12, 2026January 11, 2026 ross

When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop