November 24, 2025November 24, 2025 ross

Coal Mine Theatre’s “Fulfillment Centre”: Drifting in a Desert of Dynamic Disappointment

November 23, 2025November 23, 2025 ross

debbie tucker green’s “a profoundly affectionate, passionate devotion to someone (-noun)” Arrives Unflinching at Tarragon’s Mainspace .

November 22, 2025November 22, 2025 ross

“An Orchid and Other Such Lilies and Lies”: Where Fear, Loathing, and Tenderness Folds and Unfolds

November 20, 2025November 20, 2025 ross

“Two Strangers (Carry a Cake Across New York)” on Broadway: Hope and Connection in Motion

November 19, 2025November 19, 2025 ross

“Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force

November 17, 2025November 16, 2025 ross

“Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning

November 15, 2025November 15, 2025 ross

A Festive, Self-Aware Crowd-Pleasing “Predictable Holiday Rom-Com: The Musical” at Second City Toronto Contains More Heart Than You’d Expect

November 14, 2025November 14, 2025 ross

“Drivers Ed” A Road Trip That Knows Exactly Where It’s Going

November 13, 2025November 12, 2025 ross

“Wonderful Joe” at the Grand Theatre London: A Touching Love Letter to the Overlooked

November 11, 2025November 11, 2025 ross

God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway