October 21, 2024October 21, 2024 ross

Lonergan’s “Hold On To Me, Darling” Hugs Naively Tight but Leaves Me Wanting More

October 20, 2024October 20, 2024 ross

“Edgar Allan Poe’s Tales of the Grotesque” Brings Shivers to the Campbell House Museum by White Mills Theatre Company

October 16, 2024October 16, 2024 ross

MTC’s “Vladimir” Digs Into a Strong Story but Gets Lost in the Cool Maze of Studio Equipment and Inserted Complications

October 14, 2024June 1, 2025 ross

Spontaneous Theatre Delivers a Sharply Smart and Wickedly Wondrous “Goblin: Macbeth” Hilariously at Toronto’s Tarragon Theatre

October 10, 2024 ross

Broadway’s “The Hills of California” Climbs Up Some Dynamic Stairs Brilliantly

October 9, 2024October 9, 2024 ross

Roundabout’s “The Counter” Off-Broadway and LCT’s “McNeal” on Broadway Dig Deep Into Death, Escapism, and the Surprise of Life in the Real World and AI

October 6, 2024October 6, 2024 ross

Pedro Almodóvar’s “The Room Next Door” Translates Well Visually, but With a Cool Breeze of Disconnect in the Air

October 4, 2024October 4, 2024 ross

Fountain Theatre’s “Fatherland” Literally Talks Its Way Through Without Unpacking That Warped Mind

October 3, 2024October 3, 2024 ross

Broadway Boxes in DHH’s “Yellow Face” Cleverly and Comically

October 2, 2024October 2, 2024 ross

Buddies Flies Absurdly High with the Twisted and Brilliant “Roberto Zucco”