November 2, 2023November 3, 2023 ross

Bridge Theatre London’s “Guys & Dolls” Rises Up Immersively to the Broadway Heavens

November 1, 2023November 1, 2023 ross

Andrew Scott Flies Solo Brilliantly in his One-Man “Vanya” in London’s West End

October 31, 2023October 31, 2023 ross

Roundabout Circles Back to Safety in “The Refuge Plays”

October 30, 2023October 31, 2023 ross

Gabe Mollica Finds His Revelation in “Solo: A Show About Friendship”

October 29, 2023October 29, 2023 ross

“The Guide to Being Fabulous” Glides Gloriously at Soulpepper Toronto

October 28, 2023October 29, 2023 ross

A Poem for Rabia’s Floats Sweet and Tight at Tarragon Toronto

October 27, 2023October 27, 2023 ross

“Dracula – A Comedy of Terrors” Draws Blood Magnificently and Hilariously Well

October 27, 2023October 27, 2023 ross

West End’s Hamnet Engages Openly with Grief and a New Maternal View

October 26, 2023October 26, 2023 ross

“(Everyone I Love Has) A Terrible Fate (Befall Them)” at VideoCabaret Toronto – But Will You Dare to Love and Be Loved by it?

October 25, 2023October 25, 2023 ross

“The Great Gatsby” – The New Musical Finds Vocal Power at Paper Mill Playhouse, But Misplaces its Narrator