February 2, 2023February 2, 2023 ross

2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway

January 31, 2023January 31, 2023 ross

Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With

January 27, 2023January 27, 2023 ross

MTC’s The Collaboration Makes Disposable Sellable Art for Consumption

January 24, 2023January 24, 2023 ross

NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully

January 11, 2023January 11, 2023 ross

“The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues

January 8, 2023January 8, 2023 ross

West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently

January 6, 2023January 6, 2023 ross

West End’s Great Play, Good

January 5, 2023January 5, 2023 ross

Tammy Faye – A New Musical Sparkles in its Unfocused Frame

January 1, 2023January 2, 2023 ross

The Best of 2022 On Stage – in NYC, London, and Toronto

December 31, 2022December 31, 2022 ross

Ruben Östlund’s “Triangle of Sadness” – I Command You: Enjoy the Moment