February 18, 2026February 18, 2026 ross

Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust

February 16, 2026February 16, 2026 ross

Up Close with Capote: Jesse Tyler Ferguson Returns to New York in “Tru”

February 15, 2026February 15, 2026 ross

The High School Project’s “School of Rock” at The Grand is Rocking the Room & Learning the Craft

February 14, 2026February 14, 2026 ross

When One Curtain Falls and Another Rises

February 12, 2026February 12, 2026 ross

Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto

February 1, 2026February 2, 2026 ross

Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching

January 28, 2026January 27, 2026 ross

Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”

January 22, 2026January 21, 2026 ross

Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London

January 18, 2026January 19, 2026 ross

Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars