May 2, 2023May 8, 2023 ross

2023 Theatre World Award Winners Announced

May 1, 2023May 19, 2023 ross

The 2023 Drama League Award Winners (and Nominations) Announced

April 30, 2023April 30, 2023 ross

The Non-Magical Lands of LCT’s “Camelot” and Broadway’s “New York, New York”

April 27, 2023June 2, 2023 ross

“God of Carnage” Too Simply De-evolves into Chaos Superficially

April 27, 2023May 14, 2023 ross

2023 Drama Desk Award Nominations Announced

April 26, 2023May 16, 2023 ross

The 2023 Outer Critics Circle Award Winners are Announced

April 19, 2023April 19, 2023 ross

A Dutiful and Desirable Summer at Stratford Festival 2023

April 16, 2023April 16, 2023 ross

The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake

April 11, 2023April 12, 2023 ross

Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat.

April 2, 2023April 2, 2023 ross

Sweeney Todd Kills and Eats Up the Competition on Broadway