January 4, 2026January 4, 2026 ross

Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz

January 3, 2026January 3, 2026 ross

Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove

January 1, 2026December 31, 2025 ross

A Wish and What Comes After: “Into the Woods” at the Bridge Theatre

December 24, 2025December 24, 2025 ross

“Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries”

December 20, 2025December 20, 2025 ross

Crowned and Caged: “Richard II” as Erotic Reckoning

December 19, 2025December 19, 2025 ross

“Amadeus” Ignites California’s Pasadena Playhouse

December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond

December 17, 2025December 17, 2025 ross

Checkmate by Vocal Firepower: Broadway’s “Chess” Blows the Roof Off Broadway

December 15, 2025December 15, 2025 ross

“Titanique” Is Officially Docking on Broadway — And I’m Thrilled, Nervous, and So Ready for It

December 14, 2025December 14, 2025 ross

The Return and Reconstruction of “Marjorie Prime”