Category: ross says:
BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown
The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude
Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching
The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection
Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”
Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”
The Promises and Problems of Crave’s “Heated Rivalry”
When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering