November 3, 2025November 4, 2025 ross

“Kyoto” at Lincoln Center Theater: A Cautionary, Calculated, and Cauterizing Study in Denial and Strategy

November 3, 2025November 3, 2025 ross

A Barn Full of Ghosts (and Great Stories): The Interview

November 2, 2025November 2, 2025 ross

Ragtime on Broadway: America Sings, Cries, and Soars Once More

November 2, 2025November 2, 2025 ross

Why Ragtime Matters Now: A Reflection on Revival and Resonance

November 1, 2025October 31, 2025 ross

“Other” at Greenwich House Theatre: The Beautiful, Anxious Art of Self-Acceptance

October 31, 2025October 31, 2025 ross

“Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes

October 30, 2025October 30, 2025 ross

“Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart

October 29, 2025October 28, 2025 ross

“Not Ready for Prime Time” Misses Its Own Cue

October 28, 2025October 28, 2025 ross

“Liberation” Finds Expanded Power and Light on Broadway

October 27, 2025October 27, 2025 ross

Dreams, Desperation, and the Price of Peace: Two Canadian Visions of Modern Salvation at TIFF 50 with “Lovely Day” & “The Cost of Heaven”