January 22, 2026January 22, 2026 ross

Oscar 2026 Nominations Announced. Are You Ready?

January 22, 2026January 21, 2026 ross

Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”

January 20, 2026January 19, 2026 ross

A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales”

January 19, 2026January 18, 2026 ross

Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap”

January 18, 2026January 19, 2026 ross

Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars

January 17, 2026January 17, 2026 ross

Who’s in the Running? Frontrunners and Faves for the 98th Academy Awards

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 15, 2026January 15, 2026 ross

Meeting The Fantasticks for the First Time—Through a Queer Lens