October 7, 2025 ross

TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen

October 6, 2025October 6, 2025 ross

Native Earth Performing Arts Announces 43rd Season, 2025-26

October 5, 2025October 5, 2025 ross

Jeremy O. Harris’s “Slave Play” About Race, Sex, and Therapy Hits Toronto’s Canadian Stage Like a Fever Dream

October 4, 2025October 4, 2025 ross

“Mexodus” Brilliantly Layers and Loops History with Liberation at Audible Theater

October 3, 2025October 3, 2025 ross

NYTW Preaches A Glorious Gospel Gathering of Love and Defiance with “Saturday Church”

October 2, 2025October 1, 2025 ross

Stratford Festival’s Next Artistic Director Announced

October 1, 2025October 1, 2025 ross

“House of McQueen”: A Stylish but Neat Hemline Where a Raw Cut Was Desired

September 30, 2025September 30, 2025 ross

The Public Theater’s “The Other Americans” Sharply Spins Family Ties and Cultural Tensions

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 27, 2025 ross

Crossing “The Green Line”: Love and Survival Amid Beirut’s Divide