Category: ross says:
Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz
Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove
Bringing the Shaw Festival to the City: Theatre, Access, and a Waterfront Home
A Wish and What Comes After: “Into the Woods” at the Bridge Theatre
The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre
A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre
A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace
Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”
front mezz junkies 