December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond

December 13, 2025December 12, 2025 ross

“Rogers v. Rogers” at Crow’s Theatre: A Corporate Tragedy Told with Wit, Bite, and an Uneasy Kind of Catharsis

December 10, 2025December 9, 2025 ross

A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing

December 8, 2025December 8, 2025 ross

Something Like a Dream: Bad Hats’ “Narnia” Shines Brighter than Bright at Soulpepper

December 7, 2025December 11, 2025 ross

More Pies, Please: A Deliciously Dark “Sweeney Todd” by Horrorshow Productions Thrills at the Alumnae

December 5, 2025December 5, 2025 ross

Cookie Contests, Small-Town Love, and Christmas Chaos at The Royal with “The Unauthorized Hallmark(ish) Parody Musical!”

December 4, 2025December 4, 2025 ross

Inside the Factory Theatre Machine: “Public Consumption” and the Unnerving Art of Moderating the Obscene

December 3, 2025December 5, 2025 ross

“Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention

December 1, 2025December 1, 2025 ross

“Robin Hood: A Very Merry Family Musical”: A Festive Night of Jokes and Jubilant Mischief at the Elgin Winter Garden

November 30, 2025November 30, 2025 ross

“The History of Sound” Lives in the Echo and Vibrations That Remain