October 2, 2025October 1, 2025 ross

Stratford Festival’s Next Artistic Director Announced

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 27, 2025 ross

Crossing “The Green Line”: Love and Survival Amid Beirut’s Divide

September 26, 2025September 26, 2025 ross

Power, Desire, and the Tango Dance of Queer History in TPM’s “Butch/Femme”

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis

September 23, 2025September 23, 2025 ross

The Stunning, Gorgeous Return of “King Gilgamesh & the Man of the Wild” at Soulpepper Toronto

September 22, 2025 ross

A Chilling Bargain Unhinged in “The Veil” at Crow’s Theatre

September 21, 2025September 21, 2025 ross

The Coal Mine’s Ferociously Funny and Wantonly Wise “Waiting For Godot”

September 20, 2025September 20, 2025 ross

Swipe, Refresh, Repent: Inside the Addictive Pull of Dave Malloy’s Skillfully Harmonizing “Octet”