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Tag: Ariana Debose

August 20, 2025August 20, 2025 ross

Classic Stage Cooks Up an Oscar Winner to Star in “The Baker’s Wife”

December 26, 2021December 26, 2021 ross

Spielberg’s Gamble Wins Big with his Spectacular West Side Story

May 10, 2018May 10, 2018 ross

Summer – The Donna Summer Musical: I’d Sure Have Loved To Love You, Baby, But The Beat Just Wasn’t There

December 1, 2016December 1, 2016 ross

A Bronx Tale: A Solid Dependable Tale of Two Fathers

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Recent Posts

  • “Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force November 19, 2025
  • Revisiting The Laramie Project: A Return to the Heart of Why We Gather November 18, 2025
  • “Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning November 17, 2025
  • THE NEW GROUP’s New Home and New Season November 16, 2025
  • A Festive, Self-Aware Crowd-Pleasing “Predictable Holiday Rom-Com: The Musical” at Second City Toronto Contains More Heart Than You’d Expect November 15, 2025
  • “Drivers Ed” A Road Trip That Knows Exactly Where It’s Going November 14, 2025
  • “Wonderful Joe” at the Grand Theatre London: A Touching Love Letter to the Overlooked November 13, 2025
  • Snow, Song, and Satire: Talking with the Stars of “The Unauthorized Hallmark(ish) Parody Musical” November 12, 2025
  • God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway November 11, 2025
  • Bowtie Productions’ “tick, tick…BOOM!” Pulses with Legacy and Life at Alumnae Theatre November 10, 2025
  • Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA” November 9, 2025
  • “The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto November 8, 2025
  • Puppets, Prophecies, and $5 Salvation: A Night in Doc Wuthergloom’s “Little Lib’ary of the Damned” at the Red Sandcastle Theatre November 7, 2025
  • “The Twits” (2025): Slimy, Smart, Sticky, Savage, and Sweetly Subversive November 7, 2025
  • Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun November 6, 2025
  • “Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis November 5, 2025
  • Bat Boy: The Musical at NYCC — A Sharp-Toothed, Sweet-Hearted Revival That Soars November 4, 2025
  • “Kyoto” at Lincoln Center Theater: A Cautionary, Calculated, and Cauterizing Study in Denial and Strategy November 3, 2025
  • A Barn Full of Ghosts (and Great Stories): The Interview November 3, 2025
  • Ragtime on Broadway: America Sings, Cries, and Soars Once More November 2, 2025
  • Why Ragtime Matters Now: A Reflection on Revival and Resonance November 2, 2025
  • “Other” at Greenwich House Theatre: The Beautiful, Anxious Art of Self-Acceptance November 1, 2025
  • “Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes October 31, 2025
  • “Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart October 30, 2025
  • “Not Ready for Prime Time” Misses Its Own Cue October 29, 2025
  • “Liberation” Finds Expanded Power and Light on Broadway October 28, 2025
  • Dreams, Desperation, and the Price of Peace: Two Canadian Visions of Modern Salvation at TIFF 50 with “Lovely Day” & “The Cost of Heaven” October 27, 2025
  • Unwrapping the Interview Joy: George Reinblatt and Suzy Wilde on Turning Holiday Clichés into a Golden and “Predictable Holiday Rom-Com” Musical October 26, 2025
  • Inside the Devil’s Masquerade: White Mill’s Tales of the Damned at Campbell House October 25, 2025
  • The Weight of Secrets: “Adulthood” & “Little Lorraine” at TIFF50 October 24, 2025
  • TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid” October 23, 2025
  • Dublin Theatre Festival’s “The Boy” at the Abbey Theatre: Myth, Madness, and the Weight of the Divine October 22, 2025
  • Spontaneous Theatre’s “Goblin:Oedipus” at the Stratford Festival: Tricksters, Truths, and the Theatre of Chaos October 21, 2025
  • The Grand Theatre’s “The Play That Goes Wrong”: Still Hilariously Right October 20, 2025
  • “Bremen Town” at Tarragon Theatre: Fragments of Faith and Fury on a Fragile Fairy Tale Journey Home October 19, 2025
  • The Gate’s “Poor”: Cycles of Pain, Acts of Seeing, and the Grace of Survival at the Dublin Theatre Festival October 18, 2025
  • Beautiful & Frustrating Monsters: “Hedda” and “Two Pianos” at TIFF50 October 17, 2025
  • Acton Says: Batter up – “The Pitch” at Actors Temple Theatre October 16, 2025
  • TIFF50: “Peak Everything”: How to Fall in Love While the World Ends October 15, 2025
  • “Cats: The Jellicle Ball” Returns to Broadway & “Cats” Goes to Regent’s Park— Two Invitations You Can’t Refuse October 14, 2025
  • Combative Conditional Love and the Courage to Confront: Inside MCC’s “Caroline” October 13, 2025
  • Wondrously “Waiting…“, Wanting, Watching: Beckett on Broadway and Beyond October 12, 2025
  • SCHMIGADOON! is Heading to #Broadway in Spring 2026 October 11, 2025
  • John Lithgow Towers Over Broadway Once More in “Giant”, Mark Rosenblatt’s Roald Dahl Drama October 11, 2025
  • ‘The White Lotus’ Will Sharpe Stars Alongside Paul Bettany in the Upcoming “Amadeus” Series October 10, 2025
  • TIFF50: “A Private Life” Speaks Cleverly About Silence and the Self October 9, 2025
  • MTC’s “Punch”: The Weight of One Powerful Blow October 8, 2025
  • TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen October 7, 2025
  • Native Earth Performing Arts Announces 43rd Season, 2025-26 October 6, 2025
  • Jeremy O. Harris’s “Slave Play” About Race, Sex, and Therapy Hits Toronto’s Canadian Stage Like a Fever Dream October 5, 2025

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