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Tag: Bob Odenkirk

April 10, 2025April 10, 2025 ross

“Good Night, and Good Luck” & “Glengarry Glen Ross” Broadway Finely Smokes Solid Scenarios with Stars

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Recent Posts

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  • The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection January 27, 2026
  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
  • The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
  • When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
  • Oscar 2026 Nominations Announced. Are You Ready? January 22, 2026
  • Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026
  • Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays” January 21, 2026
  • A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales” January 20, 2026
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  • Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars January 18, 2026
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  • Scratching at Reality: “Bug” and the Seduction of Shared Madness January 17, 2026
  • Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock” January 16, 2026
  • Meeting The Fantasticks for the First Time—Through a Queer Lens January 15, 2026
  • “The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart January 14, 2026
  • Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter January 13, 2026
  • When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop January 12, 2026
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  • My Favourite Week of the Summer is at The Stratford Festival January 10, 2026
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  • The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End January 9, 2026
  • When Theatre Dares to Reconcile the Irreconcilable: TIFT’s “All The Cows Are Dead” January 8, 2026
  • Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts January 7, 2026
  • A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National January 6, 2026
  • A New Company, A Necessary Pause January 5, 2026
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  • The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre December 31, 2025
  • A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre December 30, 2025
  • A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace December 29, 2025
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  • “Every Brilliant Thing”: The Radcliffe Return to Broadway December 23, 2025
  • The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife” December 22, 2025
  • When the Past Outshines the Future: “This World of Tomorrow” at The Shed December 21, 2025
  • Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025
  • Crowned and Caged: “Richard II” as Erotic Reckoning December 20, 2025
  • “Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025
  • Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond December 18, 2025
  • Checkmate by Vocal Firepower: Broadway’s “Chess” Blows the Roof Off Broadway December 17, 2025
  • The Captivating “Little Bear Ridge Road” Will Close Early on Broadway — A Quiet Loss for the Season December 16, 2025

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