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June 22, 2025June 22, 2025 ross

Shaw Festival’s “The Lion, The Witch, and The Wardrobe” Shrugs Away the Magic

May 30, 2024May 30, 2024 ross

Stratford Festival’s “Twelfth Night” Charms Endearingly, Miro-Style

March 10, 2024March 10, 2024 ross

“Tuesdays With Morrie” Unpacks a Relationship Regained with Subtle Ease

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Recent Posts

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  • Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
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  • Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page January 30, 2026
  • The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude January 29, 2026
  • Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
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  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
  • The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
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  • Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025

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