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Tag: Eric Tucker

January 25, 2025February 3, 2025 ross

Bedlam’s “Music City” Country Musical Makes Me Smile Like the Sun

September 19, 2018September 19, 2018 ross

Michael Raver’s New Play, Evening, Gets A New York City Reading

December 2, 2017 ross

Bedlam’s Peter Pan: The Syndrome and The Complex Crashes In Flight!

May 21, 2017May 21, 2017 ross

Vanity Fair: The Inventive Bedlam’s Marriage to the Classic Pearl

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Recent Posts

  • “Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025
  • Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond December 18, 2025
  • Checkmate by Vocal Firepower: Broadway’s “Chess” Blows the Roof Off Broadway December 17, 2025
  • The Captivating “Little Bear Ridge Road” Will Close Early on Broadway — A Quiet Loss for the Season December 16, 2025
  • “Titanique” Is Officially Docking on Broadway — And I’m Thrilled, Nervous, and So Ready for It December 15, 2025
  • Marla Mindelle and Josh Sharp Channel Nicole Kidman and Cate Blanchett in “A Kidman Carol” – and Bah Humbug, I’m Gonna Miss It! December 15, 2025
  • The Return and Reconstruction of “Marjorie Prime” December 14, 2025
  • “Rogers v. Rogers” at Crow’s Theatre: A Corporate Tragedy Told with Wit, Bite, and an Uneasy Kind of Catharsis December 13, 2025
  • FX’s “A Christmas Carol”, The Past That Shapes Us, the Present That Breaks Us, the Future That Saves Us December 12, 2025
  • Sherlock Returns to Westport: A Holiday Mystery Reopened December 11, 2025
  • A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing December 10, 2025
  • Golden Globe Morning: Cinema, Stages, TIFF, and the Strange Joy of Awards Season December 9, 2025
  • Something Like a Dream: Bad Hats’ “Narnia” Shines Brighter than Bright at Soulpepper December 8, 2025
  • More Pies, Please: A Deliciously Dark “Sweeney Todd” by Horrorshow Productions Thrills at the Alumnae December 7, 2025
  • A Quaint and Curious Night of Horror at Radiotheatre’s 15th Annual Edgar Allan Poe Festival December 6, 2025
  • The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached December 5, 2025
  • Cookie Contests, Small-Town Love, and Christmas Chaos at The Royal with “The Unauthorized Hallmark(ish) Parody Musical!” December 5, 2025
  • Inside the Factory Theatre Machine: “Public Consumption” and the Unnerving Art of Moderating the Obscene December 4, 2025
  • “Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention December 3, 2025
  • A Season Worth Leaning In For: Here For Now Announces an Ambitious 2026 Lineup December 3, 2025
  • Impossible Choices: The Brutal Beauty of MTC’s “Queens” December 2, 2025
  • “Robin Hood: A Very Merry Family Musical”: A Festive Night of Jokes and Jubilant Mischief at the Elgin Winter Garden December 1, 2025
  • “The History of Sound” Lives in the Echo and Vibrations That Remain November 30, 2025
  • Adrift Between Storms: “Moonlight Schooner” Sails in Search of Deeper Waters November 29, 2025
  • A Tender, Bruising, yet Brilliant Ride Down “Little Bear Ridge Road” on Broadway November 28, 2025
  • When the Snow Falls Twice: Returning to “Disney’s Frozen” at the Grand Theatre November 27, 2025
  • “The Jinkx & DeLa Holiday Show”: Candy Canes and Chaos Reign Supreme November 27, 2025
  • The Phenomenal “Hamnet” Opens on the Big Screen this Thanksgiving November 26, 2025
  • Public Theater’s “The Seat of Our Pants”: A Wilder Miracle of Musical Mayhem as the World Ends, Again November 26, 2025
  • “Irving Berlin’s White Christmas” Delivers Holiday Warmth and Classic Charm at the Shaw Festival, Canada November 25, 2025
  • Coal Mine Theatre’s “Fulfillment Centre”: Drifting in a Desert of Dynamic Disappointment November 24, 2025
  • debbie tucker green’s “a profoundly affectionate, passionate devotion to someone (-noun)” Arrives Unflinching at Tarragon’s Mainspace . November 23, 2025
  • “An Orchid and Other Such Lilies and Lies”: Where Fear, Loathing, and Tenderness Folds and Unfolds November 22, 2025
  • “The Christmas Market” Play Finds Warmth in the Cracks of a Cold Reality November 21, 2025
  • “Two Strangers (Carry a Cake Across New York)” on Broadway: Hope and Connection in Motion November 20, 2025
  • “Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force November 19, 2025
  • Revisiting The Laramie Project: A Return to the Heart of Why We Gather November 18, 2025
  • “Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning November 17, 2025
  • THE NEW GROUP’s New Home and New Season November 16, 2025
  • A Festive, Self-Aware Crowd-Pleasing “Predictable Holiday Rom-Com: The Musical” at Second City Toronto Contains More Heart Than You’d Expect November 15, 2025
  • “Drivers Ed” A Road Trip That Knows Exactly Where It’s Going November 14, 2025
  • “Wonderful Joe” at the Grand Theatre London: A Touching Love Letter to the Overlooked November 13, 2025
  • Snow, Song, and Satire: Talking with the Stars of “The Unauthorized Hallmark(ish) Parody Musical” November 12, 2025
  • God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway November 11, 2025
  • Bowtie Productions’ “tick, tick…BOOM!” Pulses with Legacy and Life at Alumnae Theatre November 10, 2025
  • Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA” November 9, 2025
  • “The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto November 8, 2025
  • Puppets, Prophecies, and $5 Salvation: A Night in Doc Wuthergloom’s “Little Lib’ary of the Damned” at the Red Sandcastle Theatre November 7, 2025
  • “The Twits” (2025): Slimy, Smart, Sticky, Savage, and Sweetly Subversive November 7, 2025
  • Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun November 6, 2025

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