November 14, 2025November 14, 2025 ross

“Drivers Ed” A Road Trip That Knows Exactly Where It’s Going

October 27, 2025October 27, 2025 ross

Dreams, Desperation, and the Price of Peace: Two Canadian Visions of Modern Salvation at TIFF 50 with “Lovely Day” & “The Cost of Heaven”

October 24, 2025October 24, 2025 ross

The Weight of Secrets: “Adulthood” & “Little Lorraine” at TIFF50

October 23, 2025October 22, 2025 ross

TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid”

October 17, 2025October 17, 2025 ross

Beautiful & Frustrating Monsters: “Hedda” and “Two Pianos” at TIFF50

October 15, 2025October 15, 2025 ross

TIFF50: “Peak Everything”: How to Fall in Love While the World Ends

October 7, 2025 ross

TIFF50: The Naked Truth of “Modern Whore” and the Right to Be Seen

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis