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Tag: Kimberley Rampersad

September 12, 2025September 12, 2025 ross

Shaw Festival Sings Loud and True with their “Blues for an Alabama Sky”

June 17, 2025June 19, 2025 ross

“Anything Goes” Kicks its Heels Sky High at the Shaw Festival

June 1, 2023July 3, 2023 ross

Stratford Festival’s “King Lear” 2023 Struggles in the Controlled Column of Rain

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Recent Posts

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  • “Mexodus” Returns Off-Broadway, Looping History Back Into the Present February 8, 2026
  • The Interview: Gabriella Sundar Singh and the Solitude of Witness February 7, 2026
  • The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention” February 6, 2026
  • Last Call for a Legend: Finding Dorothy Parker Returns to the Beechman February 5, 2026
  • The Power of Remembering: The Interview February 4, 2026
  • Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work February 3, 2026
  • “Six” Stands Up Strong February 2, 2026
  • Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
  • BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown January 31, 2026
  • Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page January 30, 2026
  • The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude January 29, 2026
  • Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
  • The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection January 27, 2026
  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
  • The Promises and Problems of Crave’s “Heated Rivalry” January 24, 2026
  • When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
  • Oscar 2026 Nominations Announced. Are You Ready? January 22, 2026
  • Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026
  • Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays” January 21, 2026
  • A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales” January 20, 2026
  • Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap” January 19, 2026
  • Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars January 18, 2026
  • Who’s in the Running? Frontrunners and Faves for the 98th Academy Awards January 17, 2026
  • Scratching at Reality: “Bug” and the Seduction of Shared Madness January 17, 2026
  • Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock” January 16, 2026
  • Meeting The Fantasticks for the First Time—Through a Queer Lens January 15, 2026
  • “The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart January 14, 2026
  • Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter January 13, 2026
  • When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop January 12, 2026
  • From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May January 11, 2026
  • My Favourite Week of the Summer is at The Stratford Festival January 10, 2026
  • Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End January 10, 2026
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  • When Theatre Dares to Reconcile the Irreconcilable: TIFT’s “All The Cows Are Dead” January 8, 2026
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  • A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National January 6, 2026
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  • Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove January 3, 2026
  • Bringing the Shaw Festival to the City: Theatre, Access, and a Waterfront Home January 2, 2026
  • A Wish and What Comes After: “Into the Woods” at the Bridge Theatre January 1, 2026
  • The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre December 31, 2025
  • A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre December 30, 2025
  • A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace December 29, 2025
  • Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025 December 28, 2025
  • Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie” December 27, 2025
  • “You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles” December 26, 2025
  • Counting Blessings, Not Sheep: My Favourite Christmas Films December 25, 2025

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