January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

December 27, 2025December 27, 2025 ross

Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”

December 22, 2025December 22, 2025 ross

The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife”

December 21, 2025December 21, 2025 ross

When the Past Outshines the Future: “This World of Tomorrow” at The Shed

December 20, 2025December 20, 2025 ross

Crowned and Caged: “Richard II” as Erotic Reckoning

December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond